Carnival parade in Av. da Liberdade, Lisbon. A car promotes the film ‘Gado Bravo’. Sport clubs: Clube Atlético de Campo de Ourique, Sport Lisboa e Benfica.
Unedited footage. Documentary about the monarchical incursions in Chaves. Reconstitution of the arrests of monarchical insurrectionists. Real images of the insurgents in prison.
Unedited images. Horse riding.
Incomplet. Ílhavo’s shipyard. Views of the christening and launching of the cod-fishing lugger ‘Brites’.
Landscapes of Caramulo.
Incomplet. The School of Cavalry and the field instruction: slope and entering the water in a horse exercises. As some slopes are almost vertical, fallings are inevitable.
Parade of the Festa dos Tabuleiros (“Festival of the Trays” – a Thanksgiving and Offering which is one of the most ancient cultural and religious manifestations in Portugal), in the city of Toma...
Landscapes and textile industry of Covilhã. Pasture areas, weaving and wheel factory, the wool's processing. Vegetables' market.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Film frame
Silvino Santos filming the Teotonio fall for the film commissioned by J. G. de Araujo from Manaus.
Film frame
Diary notebook of the filming of whale hunt by Antunes da Mata.
Article defending the need of producing Portuguese colonial films.
Notes on the work of film director José Branco Gomes Barata.
Film review.
Notes on the film ‘Como se faz um jornal’, and the founding of a unit dedicated to producing colonial films.
Notes on the team work; set still of Fernandez Tomaz.
Notes on the film works of José César de Sá and Fernandez Tomaz.
Notes on how documentary films about Portugal can contribute to tourism reinforcement.