Portrayal of 3 companies from the North of Portugal: jewellery making, fish canning industry, meat factory.
Incomplet. Bull herdsmen on horseback control herds of cows and bulls. Theyr prepare them to bullfights, stimulating their fierceness, train them in a ring and brand them in an ox-stall.
Incomplet. The architectural heritage, mainly of religious nature, and the industrial and commercial aspects of Barreiro.
The quarries of Pero Pinheiro, Sintra. Views of the work in the quarry and its facilities.
Unedited footage. The footage depicts a release of bulls in the streets, which are then fight by several horsemen and bull herdsmen as a test to their fierceness ('tenta') in an open land in Vila Nova...
One of the earliest Portuguese films, by Aurélio da Paz dos Reis, frequently refered to as the first portuguese film director, shows the stunts of a trapeze artist in a garden.
Documentary film of the South Atlantic aerial crossing, from Lisbon to Rio de Janeiro, by Gago Coutinho and Sacadura Cabral in 1922.
Touristic sites of the Graça area, in Lisbon: churches (Penha de França, S. Vicente de Fora, Graça), Flea market, J. de Castilho bust and Estrela d'Ouro neighbourhood.
film frame.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Commemoration of the 3rd anniversary of the periodical.
Notes on the difficulty experienced by the production company in registering images of the roaylist uprising in the North
Directory of films commissioned by the Tourism Office to Pathé aiming the diffusion of Portugal’s regions
News on the ordering of the films on the Portuguese regions to be exhibited in Lisbon.
A praise to the film ‘A Cidade de Thomar’ upon its reprise. Commentary on the film’s reception.
Notes on a Gaumont’s delegation visit to Portugal to film monuments, landscapes and typical places
On the staging and filming of a party on the allied armies in the WWI.
Interview with a General Inspectorate of Theatre official who traces a sorry state of affairs of Portuguese film.