Views of several locations in the North of Portugal: Melgaço and Viana do Castelo, the Senhora da Agonia Festivities, Lamego, the river Vouga railway line, the river Leça, Oporto and Gaia.
Amateur film; unedited footage. Images of the North of Portugal: a traditional parade, a horse show, a train on the banks of the Douro river, washerwomen, oxen carts, villagers and sheperds.
The monuments and landscapes visited by the group excursion.
Amateur film; unedited footage. A traditional dance during Epiphany’s Day (or Three Kings' Day) at Torre de Moncorvo's main Church square.
Incomplet. Images of Lisbon and and its different facets: shops, markets, parks, churches, monuments, palaces, streets, avenues and emblematic squares, viewpoints.
Coverage of the carnival party at the Paris film theatre, in Lisbon.
Parade of the Mocidade Portuguesa (“Portuguese Youth”) and outdoor mass in the Jockey Club’s field, 1938.
Melgaço (North of Portugal): views of the city and its surroundings.
film frame.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Commemoration of the 3rd anniversary of the periodical.
Notes on the difficulty experienced by the production company in registering images of the roaylist uprising in the North
Directory of films commissioned by the Tourism Office to Pathé aiming the diffusion of Portugal’s regions
News on the ordering of the films on the Portuguese regions to be exhibited in Lisbon.
A praise to the film ‘A Cidade de Thomar’ upon its reprise. Commentary on the film’s reception.
Notes on a Gaumont’s delegation visit to Portugal to film monuments, landscapes and typical places
On the staging and filming of a party on the allied armies in the WWI.
Interview with a General Inspectorate of Theatre official who traces a sorry state of affairs of Portuguese film.