Portrayal of 3 companies from the North of Portugal: jewellery making, fish canning industry, meat factory.
Incomplet. Bull herdsmen on horseback control herds of cows and bulls. Theyr prepare them to bullfights, stimulating their fierceness, train them in a ring and brand them in an ox-stall.
Incomplet. The architectural heritage, mainly of religious nature, and the industrial and commercial aspects of Barreiro.
The quarries of Pero Pinheiro, Sintra. Views of the work in the quarry and its facilities.
Unedited footage. The footage depicts a release of bulls in the streets, which are then fight by several horsemen and bull herdsmen as a test to their fierceness ('tenta') in an open land in Vila Nova...
One of the earliest Portuguese films, by Aurélio da Paz dos Reis, frequently refered to as the first portuguese film director, shows the stunts of a trapeze artist in a garden.
Documentary film of the South Atlantic aerial crossing, from Lisbon to Rio de Janeiro, by Gago Coutinho and Sacadura Cabral in 1922.
Touristic sites of the Graça area, in Lisbon: churches (Penha de França, S. Vicente de Fora, Graça), Flea market, J. de Castilho bust and Estrela d'Ouro neighbourhood.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Film frame
Silvino Santos filming the Teotonio fall for the film commissioned by J. G. de Araujo from Manaus.
Film frame
Diary notebook of the filming of whale hunt by Antunes da Mata.
Article defending the need of producing Portuguese colonial films.
Notes on the work of film director José Branco Gomes Barata.
Film review.
Notes on the film ‘Como se faz um jornal’, and the founding of a unit dedicated to producing colonial films.
Notes on the team work; set still of Fernandez Tomaz.
Notes on the film works of José César de Sá and Fernandez Tomaz.
Notes on how documentary films about Portugal can contribute to tourism reinforcement.