Film about the history of Belgium, made to be shown in the Belgian pavillion during the 1937 World Fair in Paris.
Political promotional film about the great work that was done by the Socialist ministers of the previous government.
Film on the diversity of habitations in Belgium in the fifties.
News report about the Liberation of Brussels.
Documentary on the 20th anniversary of the Symphonic orchestra.
Commemoration of the liberation of Brussels.
Commemoration of the liberation of Brussels.
Newsreels from the week of September 18, 1944.
Newsreels from the week of September 18, 1944.
Newsreels from the week of July 9th, 1945
Newsreels from the week of July 9th, 1945
Angelina Jolie, Haluk Bilginer (front, left to right) in "Maria" (2024)
Tala Al-Deen in "Das Licht" (2025)
German movie poster of "Das Licht" (2025)
German movie poster of "Das Licht" (2025)
Elke Biesendorfer (second from left) in "Das Licht" (2025)
Nicolette Krebitz in "Das Licht" (2025)
Lars Eidinger in "Das Licht" (2025)
Elyas Eldridge, Nicolette Krebitz, Julius Gause, Elke Biesendorfer, Lars Eidinger (left to right) in "Das Licht" (2025)
Hostels at Loch Ard, Inverbeg and Rowardennan, with footage of hostellers climbing Ben Lomond and the Cobbler, canoeing on Loch Lomond and enjoying a dance.
Panoramic views of Loch Lomond and the surrounding area including Inchmurrin (the largest island), Inchcailleach (the burial island) and the villages of Rowardennan, Tarbet and Inversnaid.
The animals and lives of the people through the seasons on the shores of Loch Lomond.
A study of the Loch Lomond Nature Reserve, set up in 1962.
Report from the mid 1960s on the potential of Loch Lomond as a tourist attraction.
Surrealistic view of the "Honeymoon couple", interrupted by salesmen, consumer goods, jealousy, anger and infidelity. [Award winner in the 1957 Scottish Amateur Film Festival.]
Amateur footage of Townswomen's Guild events, including a coach trip to the Borders, music and theatrical productions and a fashion show.
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.