Before the revolution, it served as a regular prison for Batista's political adversaries. The patients confined there lived a life in incredible misery. We visited the hospital on a hot day in July 19...
So close to the source is the jumping dancing stream of colours that no forms or shapes can be captured. The thunder of creation is so loud, so strong, that the joy of movement foreshadow future possi...
A few lines about a few minutes' peace of mind, made visible: I am half in a dream / half awake / when I'm left all alone/ all at peace / then I know / more than I thought / I knew / about the deeper ...
Drozdov talk of his understanding of 'freedom'. He compares present freedom as it used to be in the Ukraine; he describes how close friendships, earlier as now, create a space in which a feeling of fr...
About vagabonds. The film shows scenes from the everyday lives of vagabonds, about being on the road. Not necessarily every single day of the year. How they provide themselves with the necessities of ...
A successful young woman lives a seemingly perfect life. She has an ideal husband, an exciting job as a fashion photographer, but something is not quite right. In her dreams, she is confronted by an u...
Barney Richards is 37 years old. He lives with his mother in a provincial town. One night at the local discotheque he bumps into Gavin, an old aquaintance, who is doing well in the capital. Suddenly, ...
Carsten, a 50-year-old, married high-school teacher, is having an affair with Pil, a much younger woman, who is politically active. Carsten's wife, Nina, wants a divorce. Pil is involved in a politica...
German movie poster of "Salt and Fire" (2015/16)
Irmin Schmidt in "Can and Me" (2022)
"Above and Below" (2012-14)
"The Farmer and I" (2013-16)
Szene aus "Noise and Resistance"
Hendrik Heutmann, Martina Schöne-Radunski in "Love and 50 Megatons" (2019)
"Above and Below" (2012-14)
Natasja Juul in "Near and Elsewhere" (2018)
Bergmann, Franz. "Die Konzessionspflicht Der Kinematographentheater." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 153-163. Bericht über das die neu erlassene Ko...
Daily production report No. 32, 17 November 1961 on the shooting of "Auf Wiedersehn".