Film sponsored by Esso following the Scottish Rally of 1976. The rally begins in Ayrshire and takes in the Highlands. Interviews with various drivers at the roadside and after each stage is completed...
A family holiday around Firth of Clyde and beyond on various boats. Includes a trip to Belfast and a trip 'Doon The Watter' on the Waverley.
Trip from Oban to Staffa and Iona, visiting the tourist sites. [Accompanied by voiceover and classical music]
Family home movies including footage of daily life around Glasgow city centre, the Barras market, the West End and the new Clyde Tunnel.
Amateur cine film featuring days out around the east coast and borders of Scotland in the 1970s. Includes footage of a canal trip on the 'Queen of the Borders', a day at Edinburgh Zoo, train rides a...
An amateur film compilation around the Borders. Includes footage of a visit to Duns by The Moderator of the General Assembly of the Church of Scotland the Rt. Rev Dr. James A. Simpson, a 250th annive...
Shopping in Glasgow. Fruit and vegetables being selected for delivery to local stores.
A survey of Aberdeen's industries, including shipbuilding, granite quarrying, fishing, papermaking, textiles and light engineering.
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Szene aus "Losers and Winners"
Ken Duken, Hinnerk Schönemann (v.l.n.r.)
"The Farmer and I" (2013-16)
Veronica Ferres in "Salt and Fire" (2015/16)
Daily call sheet for 01 February 1966 for the shooting of "Lange Beine - lange Finger".
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...