Three Australian officers stand with a Belgian officer as escort on the balcony of the prison where Nurse Cavell was held. Next, they stand by the plaque in the prison yard marking the place where she...
Close-up of a sergeant holding a football marked 2Y&L. Pan over the men of the battalion, lying, sitting or standing informally, with two Lewis machine guns in the front row. Two lance-corporals sitti...
(Reel 1) King George V and General Sir Herbert Plumer, commanding Second Army to which the two divisions were attached, are greeted by 30th (Old Hickory) Division commander, Major-General Edward M Lew...
The film is compiled, rather than edited, by joining together four original films. (Reel 1) First IWM 31 INLAND WATER TRANSPORT, EGYPT and IWM 2 44TH REMOUNT SQUADRON ON THE EGYPTIAN COAST. (Reel 2) F...
Colonel Samson is not clearly visible in the film. The DH4, fitted with floats and no wheels, taxies through the water behind a Felixstowe flying boat, which takes off ahead of it. The DH4 then thrott...
(Reel 1) The film's only caption, "Indian troops marching through Baghdad". They are wearing winter clothing. A British horse-drawn fire-engine leaves for a (staged ?) emergency. On the river there ar...
The Public Health Department was created to put reception and counseling facilities into place--with the American Committee's help-- for parents in difficulty. An American Committee nurse, assisted b...
A tour of the Mavor and Coulson Bridgeton works, Glasgow,
"Above and Below" (2012-14)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Szene aus "Losers and Winners"
"Above and Below" (2012-14)
"Love and 50 Megatons" (2019)
Sangay Rinchen, Irja von Bernstorff in "The Farmer and I" (2013-16)
"And-Ek Ghes..." (2015/16)
German movie poster of "And-Ek Ghes..." (2015/16)
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...