Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Mary is in love with a young farmer, who goes abroad to earn money. During his absence, Mary's family is assailed by disease and poverty. Since she has not heard from her beloved for a long time, she ...
A study of the work of the Scottish engineer Thomas Telford.
A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
A young girl works cleaning the kitchen floor of a house. When she has finished she tosses the soap and cloth into the sink, which is full of water. The cook tells her, gently, that the soap will wast...
31020 - Marne (1918) - Blown up bridge Stereoscopic glass plate from a private collection in Alsace-Lorraine.
0420 - Bois des Loges forest - Canon de 240 (Santerre, Picardie)
31113 - Courcelles (Oise, Picardie) - The church Stereoscopic glass plate from a private collection in Alsace-Lorraine.
31116 - In the Forest of Argonne - A machine gunner (possibly during the Battle of the Argonne Forest in 918) Stereoscopic glass plate from a private collection in Alsace-Lorraine.
31101 - Craonne - Shell hole (Aisne, Picardie) Stereoscopic glass plate from a private collection in Alsace-Lorraine.
31117 - Argonne - Fontaine houillette (Fontaine-Houyette, Argonne)
31118 - Argonne - View over the city of La Harazée Stereoscopic glass plate from a private collection in Alsace-Lorraine.
32992 - Champagne - Saint Martin church in Suippes (Marne) Stereoscopic glass plate from a private collection in Alsace-Lorraine.
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...