Overview of journey from Glasgow city centre to Rothesay and Largs on passenger steamer circa 1935.
Overview of twenty one ante and post natal exercises through the combination of detailed intertitles and physical demonstration. Filming takes place at Rottenrow Maternity and Women's Hospital as wel...
A documentary, narrated and directed by Sean Connery, on the turbulent industrial relations of the workforce of Fairfield's shipyard on the Clyde during the mid 1960s.
Television documentary from the mid 1960s about the redevelopment of Dundee: new houses, destruction of slums, the building of the Tay Road Bridge, growth of shops and industry.
Japan Desk Scotland’s third documentary about the Fukushima nuclear accident in 2011, looking at the aftermath in the area around Okuma Town, the remaining effects of radioactive contamination, and ...
Japan Desk Scotland’s eighth documentary about the Fukushima nuclear accident in 2011, looking back at the work to create a radiation map of the surrounding area and the establishment of the Institu...
Russian war drama about the love between a peasant girl and a Russian prince at the time of the Russian (February) Revolution in 1917. As a young peasant girl, Mary Warren (Geraldine Farrar) is being ...
Amateur footage of people in Glasgow's Botanic Gardens, traffic on Great Western Road and street scenes in the city.
"Love and 50 Megatons" (2019)
German movie poster of "Can and Me" (2022)
Irja von Bernstorff in "The Farmer and I" (2013-16)
"Losers and Winners" (2006)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Enrique Fiss in "Near and Elsewhere" (2018)
Tannenbaum, Herbert. "Probleme des Kinodramas." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 60-63. Tannenbaum erörtert die Möglichkeiten des Films und probl...
O. Verf.. „Wo steht dieses Inserat?.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Angeführt wird ein Inserat aus dem „Kinematograph“, in dem Fillme...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.