Manos (Stefanos Stratigos), owner of a nightclub, is followed by a mysterious woman (Ilya Livykou). At the same time, the singer of the club (Efi Oikonomou) tries to get close to him, earning the trus...

This is a documentary which depicts life in Cuba and in the Cuban community of Athens, focusing on such Cuban musicians as Raidel, Magali, Pedro, Pilar, and others.

Mary and Nikos (Aliki Vougiouklaki and Alekos Alexandrakis) are a happily married couple whose life turns upside down when Mary’s friend, Lilly (Maro Kontou), borrows their new car. When Lilly crash...

Three cousins who share the same name and surname, Christos Delimanis, all share a large courtyard. The first one is a police officer, the second a habitually unemployed communist, while the third is ...

A Greek-British co-production featuring the adventures of a British secret agent (Lakis Komninos) who accepts his last mission in Greece. His mission proves to be very dangerous when double agents get...

The film is based on a true incident. In the year 1953, in a tobacco-growing village in Macedonia, a strange murder is committed. During the court hearing, it is evident, from the testimonies of the w...

Alexis is a soldier who manages to survive a deadly battle and then becomes a deserter, taking refuge in the barn on a nearby farm. Ermina, the young landowner’s wife, discovers him and offers him f...

When a friend of his dies, an isolated writer decides to abandon his solitude and look into the reasons for the loss of his friend. This decision will force him to face the people around him and final...

Programme for the ALKYONIS Cinema. The front page contains the cinema's distinctive logo and motto, "FILMS THAT STAND OUT", the film's title, INGMAR BERGMAN'S "WILD STRAWBERRIES", and the awards the f...

Lionel Rogosin is one of the representatives of the Underground cinema movement. His films like ON THE BOWERY (1956), COME BACK AFRICA, (1959), GOOD TIMES WONDERFUL TIMES (1966) are examples of his ma...

Nikita Mikhalkov’s film "LIAR SUN", based on a story from his life, is set in a Soviet province, in the hot summer of 1936. The idyllic, serene countryside and tranquillity of the people that work t...

Short presentation of the film by Martin Scorsese, which critics described as the best American film of the 1980s. The film tells the true-life story of the boxer Jake LaMota, an athlete of tremendous...

Programme for the IRIS Cinema. On the front page: 1. Cartoons from "Silly Symphony " by Walt Disney (sign manual deletion of the title) 2. ÉCLAIR JOURNAL Newsreel 3. " THE PRISONER OF SHARK ISLAN...

The programme, written by Mona Mitropoulou, dated December 6, 1989, mentions that when Hitchcock was filming NOTORIOUS, he was already recognized “from one side of the Atlantic to the other”. Then...

In the centre of the poster, a young man is depicted in tattered clothes, holding a little girl in his arms. On the background, the houses of a neighborhood can be discerned. On the bottom of the post...

The program presents three short films. It includes separately just credits and synopsis of the film contents which vary in subject from some isolated Athenian suburbs during a summer day (MINIS) to ...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS