A young and beautiful girl, Christina, lives all alone in a secluded villa. One day,. She falls victim to a group of unknown thieves, who steal all of her valuable family jewelry. The local police chi...

The third part of Euripides’ trilogy relates Orestes’ confrontation with the people of Argos after killing his mother Clytemnestra and her lover Aegisthus, and his struggle to defend himself and h...

The film tells the story of two young people in love who are trying to overcome the obstacles and challenges they encounter – while they argue with their relatives, who are against their union.

Petros, the son of the industrialist Tsamis, is in love with factory worker Martha, but their wedding is cancelled because of the strong opposition and scheming of his father. Martha’s mother dies; ...

The life of a couple very much in love somewhere in the countryside gets shaken up by the arrival of the girl’s cousin, who has inherited a large plot of land.

A ship carrying illegal and dangerous cargo – guns and ammunition – travels to the Far East. A seaman knows about the illegal cargo and intends to steal it for his gang. He kills the lieutenant an...

A young man (Giorgos Pantzas) working at a cleaner’s dreams of becoming a film star and dresses up in the clothes he cleans. He sends pictures of himself wearing various outfits to film producers. P...

A father (Titos Vandis), his two sons and his daughter set death traps for passing cars, in order to rob them. His relation with his daughter is incestuous, and he himself is a product of the extreme ...

A brief note with some details about the screenplay and the contributors that conveys the view that "it is the only adaptation of one of his plays for cinema that satisfied Brecht, since the screenpla...

The particularity of the film GRAND PRIX, directed by the Norwegian Ivo Kaprino, is the fact that he creates an artistic quality film with puppets. The plot is inspired from the world of car races and...

Program of the Amfissa Cinema Club, a branch of the Greek Film Archive. The front cover bears the title of the film to be screened: "THE THIEVE OF PEACHES " by Vulo Radev, and lists other contributors...

A profound analysis of the work based on the theory of psychoanalysis. It emphasizes Polansky’s ability to describe atrocious human deeds as if they were something natural. It compares his view with...

The lengthy program signed by Aglaїa Mītropoulou presents the distinctions Greg Talas as well as few words on his life and work of the filmmaker. The plot of the film concerns the ‘story of 160 ch...

A brief note on Mikhalkov's last film; a few words about the plot; the director's efforts to make a film about Russia's life and landscape; a quotation from the director, who said: "The film is not ab...

The film programme dedicated to Czechoslovak Jiri Trnka refers to the history of animated cartoons, stressing America's and Disney's lead in the field, and mentions certain notable exceptions in the E...

The programme for the screening of the film "The Rules of the Game" gives information from the credits and then talks about the life and career of the director. Then it discusses the perspective of th...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS