A miserable young man (Thanasis Vengos) agrees to help his cousin (Tasos Giannopoulos) to escape his friend Lina. In return, his cousin must land him a job at the tourism agency where he works. Fair...

Two unemployed wretches (Nikos Stavridis and Giannis Gkionakis) have been friends for years and have many adventures together. They fall in love with two girls (Kleo Skouloudi and Popi Lazou); they me...

A typist meets a young man who works at a garage and who pretends to be an important businessman. She does the same thing, pretending to be the daughter of her industrialist boss. In the end, everythi...

Rena Vasileiadi is a pretty young woman who is in love with Dimitris. He works as a mechanic at her father’s factory. She flirts with him, and he is responsive to her affection - up to a point. Anot...

Angelos Mourouzis (Nikos Kourkoulos) is a former pilot who has taken to booze and gambling. One day, he is appointed president of a committee that is assigned to investigate the causes of an air trage...

A woman (Despoina Stylianopoulou) offers shelter to an English army officer (Michalis Nikolinakos ) who arrives on Mykonos, which, at that time, was under Italian occupation.

Petros Apostolou is a talented young musician who comes to Athens and soon manages to record his first record. He achieves success and falls in love with Anna, who is the niece of Mr. Theocharis, the ...

Anna (Anna Vagena), adopted daughter of a petit bourgeois Athenian family, is to get married to a fellow-townsman of hers, Kosmas (Stavros Kalaroglou). They meet and spend Sunday together. Anna’s bo...

Plot summary and a few words about the director's look that gives the human relations with sensitivity and realism. A representative example of the Franco Belgian cinema.

WALKING HOME, a short film by Oliver Krimpas, a director who wavers between the Greek and British culture, took part in many film festivals and received positive feedback. It narrates the story of the...

Program of the Larisa Cinema Club, a branch of the Greek Film Archive. The front cover lists the title of the film: "ΤΗΕ RIVER" by Jean Renoir, at ACROPOLE. The fly bears a note by B.P. (probably ...

Programme for the IRIS Cinema. Front page: 1. BAVARIA JOURNAL Newsreel 2. "THE DARK ANGEL", starring FREDRIC MARCH, MERLE OBERON, HERBERT MARSHAL. The synopsis and the rating "Unsuitable for the ...

The programme begins with a reference to the sui generis Japanese humanism, comprising elements of responsibility and pride, and features Kurosawa. Compared to western humanism – hostage to Christ...

David Butler’s "THANK YOU LUCKY STARS" constitutes a typical musical of the World War II that showcases WARNER’s intention to summon all Hollywood stars in films aimed to entertain the soldiers an...

The programme for the screening of the film "Hunting Flies", after details from the credits, mentions: important names from the Polish school, the importance of Wajda and his surpassing of Zbigniew Cy...

The program begins by evaluating the film, characterizing it as “a funny comedy that knocks over the dramatic conventions for the world of paid love”. It emphasizes the fact that even though the r...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS