A tomboy, who lives on the hard and violent fringe of society, struggles to stay alive and unharmed. She grows up and becomes a real woman, despite a series of difficult situations, with the fatal inj...

During the shooting of a film, a strange man enters the set holding an umbrella. He walks into the sea and disappears. The people from the film crew claim that this is a publicity stunt, but the music...

A criminal (Alkis Giannakas) covets a young woman’s property (Alexandra Ladikou). He succeeds in charming her, and she begins spending all her money. The criminal’s former girlfriend (Zeta Apostol...

A businessman, Sotiris Karelis (Alekos Alexandrakis) approaches the twice-widowed piano teacher, Ms. Antzolina (Rena Vlachopoulou), about buying her mansion in order to convert it to a hotel. At the s...

Petros, a young and (as it is usually the case in such films) poor man, falls in love with the daughter of his boss, Annita. He works as the chauffeur of her father, the businessman Nikos Zervoulis, w...

Christos Sgouros is a young man who has never met his parents. He grew up in the streets and now works as a porter at the vegetable market. In his free time, he plays the bouzouki, which annoys Vasili...

Another production based on the same operetta, with a mixed cast this time – actors from both stage and screen, as well as artists from the opera. Despite the time of the production, the film still ...

Director Dimitris Kollatos hasn’t been able to get over his wife, the French actress Arlette Beauman, who committed suicide a year ago. Shut in his house with his autistic son Alkis, they watch the ...

The programme announces the start of the tribute to Historical Roads of Cinema with the film "Three songs about Lenin", at the same time as the Tribute to Women in Cinema.

The program recognizes in the film the characteristics of the Athenian School and gives a brief summary of the plot, which concerns the adventures of two young couples. It dwells particularly on the i...

The program of the screening of the film " Brave Bulls” refers to the director’s career and to his earlier successes. The plot of the film is then narrated – an adaptation of a novel by Τ. Lea ...

The programme for the screening of the film "The Pajama Game", after details from the credits, mentions: success, the Broadway musical of the same name, the actors, the plot and Bob Fosse.

The LIDO Cinema program. On the front cover, the film now showing: “Today’s masterpiece is “The Dollar Prince”. Rated unsuitable for the under 17. Starring ladies’ man Garry Cooper. On the b...

Programme for the IRIS Cinema. Front page: 1. ÉCLAIR JOURNAL Newsreel 2. "BOCCACCIO" The synopsis and rating, "Unsuitable for the underage", are on the inside pages. There is an advertisement f...

The programme for the film "Blood Relatives" after details from the credits, mentions: the New Wave, Les Cahiers du Cinéma, its commercial failure, the police genre, the character of the moralist, th...

The programme for the screening of the film "Hunting Flies" first gives information from the credits and then discusses the flowering of Polish cinema, the importance of Wajda and reviews of the film.

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS