Giorgis, who is the only son of Manolis Bournovas, the chief shepherd of a mountain village, is also the bridegroom that every young woman in the village dreams of. However, he is head over heels in l...

Beautiful orphan Agni (Aliki Vougiouklaki) lives with her young brother Petrakis (Giannakis Kalatzopoulos). Their only source of income comes from the little grocery store that their parents left them...

This is a composite, three-part film comprising three independent stories with a common theme: Greek behavior when placed under foreign yoke. The first part, entitled “The Clock”, is a comedy se...

A blundering provincial (Thanasis Vengos) comes to Athens and does any job he is offered, without, however, being able to settle in one job because of his mentality and his naiveté. In the end, he ev...

A poor girl (Gkelly Mavropoulou), without a family, finds, in a rich young man, (Andreas Barkoulis) shelter from the difficulties of life. She decides to marry a wealthy engineer (Lampros Konstantaras...

1868, in the plains of Thessaly. Thanasis Vardas is a fine upstanding man who is pursued by a gang of Turkish Albanians and is forced to abandon his five-year-old son Giorgis in a monastery in Meteora...

A hale and hearty fifty-year-old, Ntinos Diamantis (Lampros Konstantaras), lives with his sister and pursues every attractive woman he encounters. When he meets twenty-year-old Korina (Nora Valsami) a...

A provincial man (Alkis Giannakas) gets mixed up with a criminal (Stavros Xenidis) and starts working for him. He gets entangles in a case of theft and blackmailing, which results in his death.

Plot summary and a few words about the director's look that gives the human relations with sensitivity and realism. A representative example of the Franco Belgian cinema.

WALKING HOME, a short film by Oliver Krimpas, a director who wavers between the Greek and British culture, took part in many film festivals and received positive feedback. It narrates the story of the...

Program of the Larisa Cinema Club, a branch of the Greek Film Archive. The front cover lists the title of the film: "ΤΗΕ RIVER" by Jean Renoir, at ACROPOLE. The fly bears a note by B.P. (probably ...

Programme for the IRIS Cinema. Front page: 1. BAVARIA JOURNAL Newsreel 2. "THE DARK ANGEL", starring FREDRIC MARCH, MERLE OBERON, HERBERT MARSHAL. The synopsis and the rating "Unsuitable for the ...

The programme begins with a reference to the sui generis Japanese humanism, comprising elements of responsibility and pride, and features Kurosawa. Compared to western humanism – hostage to Christ...

David Butler’s "THANK YOU LUCKY STARS" constitutes a typical musical of the World War II that showcases WARNER’s intention to summon all Hollywood stars in films aimed to entertain the soldiers an...

The programme for the screening of the film "Hunting Flies", after details from the credits, mentions: important names from the Polish school, the importance of Wajda and his surpassing of Zbigniew Cy...

The program begins by evaluating the film, characterizing it as “a funny comedy that knocks over the dramatic conventions for the world of paid love”. It emphasizes the fact that even though the r...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS