A Western in which two girls heroically unmask a criminal.
Melodrama about a stolen identity. The daughter of a man who has stolen the identity of the deceased Baron Van Walden marries to school teacher Ulbo Garvema, who turns out to be the son of the baron.
Reportage about the official visit of King Haakon of Norway to Rotterdam Unedited footage of the visit of Norwegian King Haakon to Rotterdam. The footage does not constitute a completed film.
Documentary about the ruins of Valkenburg Short documentary about the ruins of Valkenburg, which tower high above the picturesque Limburg town. In long shots, we see the remains of the former castle. ...
Reportage about the football match Netherlands-Belgium on April 28, 1912 at the DFC-area in Dordrecht.
A man with a tin of Van Houten Cocoa is treated to a splash of water.
Film about Amsterdam orphan girls heading downtown, under supervision.
Reportage about a bicycle race near Helmond.
Enrique Fiss in "Near and Elsewhere" (2018)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
German movie poster of "Salt and Fire" (2015/16)
Irmin Schmidt in "Can and Me" (2022)
"Above and Below" (2012-14)
"The Farmer and I" (2013-16)
Szene aus "Noise and Resistance"
Hendrik Heutmann, Martina Schöne-Radunski in "Love and 50 Megatons" (2019)
Daily production report on the shooting of "Was eine Frau im Frühling träumt", No. 1, 02 May 1958.
L. B., Berliner Filmneuheiten, Der Kinematograph, 667, (1919), S. 25-27. "Kaiser Wilhelms Glück und Ende" sei noch am Vortag der Uraufführung vom Innenministerium verboten worden. Der Film stelle ei...
[Lustbarkeitssteuer für Kinos], Der Kinematograph, 424, (1915), S. 35. Bericht über Beratungen zur Lustbarkeitssteuerverordnung der Stadt Essen. Grund sei die hohe Zunahme der Zahl der Kinobesitzer ...
Hansen, Fritz. "Photographien als Reklamebilder für Kinotheater" Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 40-42. Hinweise auf das bestehende Urheberrecht in ...
Daily production report No. 19, 03 September 1964 on the shooting of "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...