Unedited footagem. The “transmission” (pre-TV) of a private football match between Italy and Portugal in 2 boards placed by the newspaper ‘Diário de Notícias’ in Lisbon
Views of the Sugar Plantation "Tentativa" in Angola.
Views of the Sanctuary of Fatima and of religious celebrations.
Film portraying the visit of several foreign writers to Nazaré (central region of Portugal) after an invitation of the Secretariat of National Propaganda. A gathering with fishermen.
Overviews of Setúbal.
The visit to Spain of the two portuguese aviators.
The President of the Republic pays tribute in Oporto to the precursors of the Republic in 1891. Carmona honors veterans of WWI; military parade in honor of the vanquished.
A huge crowd attends the funeral procession of António José de Almeida, former President of the Republic, from his residence to the Alto de São João Cemetery.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Article on the director’s position in the Portuguese film industry and on his joining the Empresa Leitão.
On the use of portable projectors for home sessions and as an aid to education.
Notes on the film productions of the daily newspaper “Diário de Notícias”.
Announcement of the foundation of Portugália Film, its goals and ambitions.
On the celebration of the 3rd anniversary of the film magazine and the programm presented at Salão Trindade.
On the installation of Empresa Leitão and the production company’s starting activities with references to its first film.
Commentary on the exhibition of the group of 12 films of the series ‘Portugal pittoresco e monumental’.
Notes on the film and its thematics.