Funeral ceremonies of Portuguese former King D. Manuel II.
The benefits of CUF’s fertilisers for the crop cultivations. Digital item of the film print preserved with the support of CUF – Companhia União Fabril, Consultadoria e Serviços, SA.
Views of the Portuguese World Exhibition, commissioned by Cottinelli Telmo, highlighting the colonial section.
The labor in Leixões’ Harbour. Crab, sardine, field fertiliser, the work on the nets. Boa Nova’s lighthouse.
Artistic and architectural elements of the Torre de Belém (Lisbon).
Opening of the dog show in the Lisbon Zoo. Festivities at Alverca airfield.
Horses and people dressing attire from various eras. Parade at Campo Grande, near the bullfight arena.
Greenhouse. Madre de Deus Church. The ruins of Carmo's Convent and of cardinal D. Luís da Cunha’s Palace. São Vicente de Fora, National Pantheon, Lisbon Zoo.
portrait
Film frame
portrait.
Film frame
Portrait of Henrique Alegria, manager of Invicta Film, in his office.
film frame
Film frame
film frame
Notes on the work of film director José Branco Gomes Barata.
Notes on the team work; set still of Fernandez Tomaz.
A letter to the periodical on the authorship of the film «Angola» (1930).
Criticism on the weaknesses of the Portuguese documentary films included by law in every cinema-shows.
On the film potential in the domain of tourism. An incentive for that type of film.
On some weaknesses of the protection law stipulating the inclusion of 100 m footage of Portuguese documentary films in commercial scéances.
Notes on the first film exhibitions in Portugal and on Portuguese early films.
Notes on the huge development of documentary film, namely in Germany.