The film forms a contrast to the number of canting pictures or the silence existing round the period of the first six months after a child has been born. It takes up some of the problems that three di...
Before the revolution, it served as a regular prison for Batista's political adversaries. The patients confined there lived a life in incredible misery. We visited the hospital on a hot day in July 19...
So close to the source is the jumping dancing stream of colours that no forms or shapes can be captured. The thunder of creation is so loud, so strong, that the joy of movement foreshadow future possi...
It's a video installation; it's a long journey into a broom shrub. It's a trudging about in a broom shrub; the camera looks for the correct route. The edge lay on the camera's lens. Bees grow immensel...
Popular although acidly satirical novelist Leif Panduro's last novel (1975) turned into broad-beamed family film fare: a circuit judge is saddled with a roaming wife; a drop-out son; a nasty girl-frie...
Hvert år mister 4.000 danske børn deres far eller mor. Alligevel har ni ud af ti skoler ikke nogle planer for, hvad man stiller op i tilfælde af dødsfald i et barns familie. Teenagegruppen i Ålbo...
»Cafe Hector" er det nye in-sted for de smarte, hurtige og velformulerede. Uffe er ikke "in" og tåler ikke flere ydmygelser. I »Royal Blues" har Belinda nok at se til. Hun skal bl.a. passe kæreste...
Drengen Tedo er flygtet fra etnisk udrensning i den georgiske del af Abkhazia, men aldrig faldet til i den nye hjemstavn, Tbilitsi. Måske fordi han er ualmindeligt skeløjet - måske fordi han efterl...
"Above and Below" (2012-14)
Szene aus "Losers and Winners"
"Rivers and Tides" (1998-2001)
Maggie Peren, Ken Duken (v.l.n.r.)
Volker Michalowski, Veronica Ferres, Gael García Bernal (in the front from left to right) in "Salt and Fire" (2015/16)
German movie poster of "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Filmplakat