Unedited footage. Images of the vinification work in the region of Douro: harvesting, treading grapes in the lagar, embottlement, labelling, storing and transport on a freight train.
Unedited footage of the city of Faro. Images of several sites: Francisco Gomes Square and the garden of Manuel Bívar, railway and dock, the Cathedral and its tower, Ria Formosa.
Some aspects of Abrantes and its strategic position. Defense exercises including the planning of evacutation.
Incomplet film on the sardine fishery and sale in the Setúbal peninsula. Images taken in the 20’s.
Images of the Island of Mozambique: Saint Sebastian Fortress, Saint Lawrence Fort, chapels and churches, ancient hospital and court.
The Cavalry Squadron ‘Dragões de Moçambique’. Views of the quartering and military exercises.
Newsreel on the Spanish Civil War. Upon today's knowledge, only the image subsists.
Digital item of the film print preserved with the support of Oeiras City Council. Images of the north shore of Tagus’ Estuary and of the aforesaid locations.
The exteriors of the studios of the Oporto-based film company, Invicta Film.
Film frame
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
film frame
portrait
Film frame
portrait
Film frame
Criticism on the weaknesses of the Portuguese documentary films included by law in every cinema-shows.
On the film potential in the domain of tourism. An incentive for that type of film.
On some weaknesses of the protection law stipulating the inclusion of 100 m footage of Portuguese documentary films in commercial scéances.
Notes on the first film exhibitions in Portugal and on Portuguese early films.
Notes on the huge development of documentary film, namely in Germany.
Commentary on the film work of Artur Costa de Macedo.
Film review of 'Alfama, velha Lisboa'.
Manuel Antunes Amor reports on his documentary works in the East.