Details of the exterior architecture of the Jerónimos Monastery, in Lisbon.
Incomplet. The visit of Carmona to Oporto (military parade and night illuminations); Vila Nova de Gaia; opening events: the Leixões’ Port, the railway line Senhora da Hora-Trofa.
Investiture of General Carmona as President of the Republic and several events with his presence, such as the military parade in the 5th October 1932, official visits and aspects of his intimate life.
Images of Huíla Plateau, Angola: the Railway of Namibe (formerly Moçâmedes); Bibala (formerly Vila Arriaga); Lubango (formerly Sá da Bandeira); Ruacaná falls in the Cunene River. Muhilla. Native ...
Documentary film on the colonial exhibition held in 1934 in Oporto. Images of the participants, pavilions, gardens, leisure areas, folk parades and of the most visited commercial stands.
Unedited footage. Views from the parish of Buarcos in Figueira da Foz, including the beach, mother church and the Tower of Redondos' (Castle) ruins. Officials attend a cerimony.
Incomplet. Unedited footage. Views of Beja: firemen, sport events, commerce.
In Trás-os-Montes circuit, spectators attend by the side of the road the passage of several cars in competition.
Portrait.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame.
Film frame.
Film frame
film frame
Article on the director’s position in the Portuguese film industry and on his joining the Empresa Leitão.
On the use of portable projectors for home sessions and as an aid to education.
Notes on the film productions of the daily newspaper “Diário de Notícias”.
Announcement of the foundation of Portugália Film, its goals and ambitions.
On the celebration of the 3rd anniversary of the film magazine and the programm presented at Salão Trindade.
On the installation of Empresa Leitão and the production company’s starting activities with references to its first film.
Commentary on the exhibition of the group of 12 films of the series ‘Portugal pittoresco e monumental’.
Notes on the film and its thematics.