Views of several locations in the North of Portugal: Melgaço and Viana do Castelo, the Senhora da Agonia Festivities, Lamego, the river Vouga railway line, the river Leça, Oporto and Gaia.
Amateur film; unedited footage. Images of the North of Portugal: a traditional parade, a horse show, a train on the banks of the Douro river, washerwomen, oxen carts, villagers and sheperds.
The monuments and landscapes visited by the group excursion.
Amateur film; unedited footage. A traditional dance during Epiphany’s Day (or Three Kings' Day) at Torre de Moncorvo's main Church square.
Incomplet. Images of Lisbon and and its different facets: shops, markets, parks, churches, monuments, palaces, streets, avenues and emblematic squares, viewpoints.
Coverage of the carnival party at the Paris film theatre, in Lisbon.
Parade of the Mocidade Portuguesa (“Portuguese Youth”) and outdoor mass in the Jockey Club’s field, 1938.
Melgaço (North of Portugal): views of the city and its surroundings.
Film frame
Photograph of the production company's installations: the power station.
Film frame
A view of the production company’s installations: the film studios on the left, the main building on the right.
Film frame.
Portrait of João Freire Correia and Maximino Abranches, 1909
Film frame
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.