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Videos
(71888 Results)

BRIDE AND GROOM
Feature film / Amateur film
1956
National Library of Scotland

Surrealistic view of the "Honeymoon couple", interrupted by salesmen, consumer goods, jealousy, anger and infidelity. [Award winner in the 1957 Scottish Amateur Film Festival.]

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CASTLE AND CAPITAL
non-fiction / Documentary film
1979
National Library of Scotland

A descriptive essay on the city of Edinburgh, and in particular of Edinburgh Castle.

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SEALING WAX AND WAFERS
non-fiction
1966
National Library of Scotland

A promotional film for George Waterston and Sons of Edinburgh, Wax Chandlers. This film shows interiors and machinery of the firm's old wax making factory at St. John's Hill, just prior to demolition....

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BY LEARNING AND COURTESY
non-fiction / Documentary film
1954
National Library of Scotland

Aberdeen High School for Girls - from the first day of infant class to prize-giving for senior pupils leaving school. All aspects of learning are recorded, with emphasis on drama, music and dance.

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SPACE AND LIGHT
non-fiction / Documentary film
1972
National Library of Scotland

An exploration of St Peter's Seminary, Cardross on the Firth of Clyde.

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GLASGOW TODAY AND TOMORROW
non-fiction
1949
National Library of Scotland

Glasgow in the post-war years and the Corporation's futuristic plans for the city's development. [The film was made to tie in with an exhibition of the same title, held at the Kelvin Hall in Glasgow....

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LORNA AND JOCK'S WEDDING
non-fiction / Amateur film / Amateur film
1928
National Library of Scotland

The wedding of Jock Lyon and Lorna Duncan at Greyfriars Church, Dumfries, February 23rd 1928.

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CUMBERNAULD GRANNY AND GRANDPA
non-fiction / Amateur film / Amateur film
1937
National Library of Scotland

Family home life.

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Images
(636874 Results)

Above and Below
Film still
2012
DFF – Deutsches Filminstitut & Filmmuseum

"Above and Below" (2012-14)

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Here and There
Film still
2008
DFF – Deutsches Filminstitut & Filmmuseum

Szene aus "Here and There"

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Salt and Fire
Film still
2015
DFF – Deutsches Filminstitut & Filmmuseum

Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)

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Above and Below
Film still
2012
DFF – Deutsches Filminstitut & Filmmuseum

"Above and Below" (2012-14)

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Messi and Maud
Film still
2016
DFF – Deutsches Filminstitut & Filmmuseum

Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)

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Near and Elsewhere
Film still
2016
DFF – Deutsches Filminstitut & Filmmuseum

Swetlana Alexjewitsch in "Near and Elsewhere" (2018)

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The Farmer and I
Film still
2013
DFF – Deutsches Filminstitut & Filmmuseum

Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)

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The Farmer and I
Film still
2013
DFF – Deutsches Filminstitut & Filmmuseum

Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)

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Texts
(105388 Results)

Tagesdisposition für den 01.02.1966
Production material
01.0
DFF – Deutsches Filminstitut & Filmmuseum

Daily call sheet for 01 February 1966 for the shooting of "Lange Beine - lange Finger".

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Aus der Praxis
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...

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Ansichtssache - Inhaltsverzeichnis
Book
2013
DFF – Deutsches Filminstitut & Filmmuseum
Details
Dialogliste (Auszug)
Dialogue list
1953
DFF – Deutsches Filminstitut & Filmmuseum

Dialogue list (excerpt) for "Die Privatsekretärin".

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Besprechungsprotokoll Kostüme
Production material
DFF – Deutsches Filminstitut & Filmmuseum
Details
Kritik aus Casseler Tageblatt (19.10.1916)
Review
19.1
DFF – Deutsches Filminstitut & Filmmuseum
Details
Trailer (Entwurf)
Advertising material
1956
DFF – Deutsches Filminstitut & Filmmuseum

Trailer (draft) for "Liebe", handwritten.

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"Ueberhaupt und so...."
Article
1920
DFF – Deutsches Filminstitut & Filmmuseum

"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...

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