In 1919, following bombings of World War I, the town Arras is in ruins. The town hall and the belfry are destroyed, and homes have lost their facades or been reduced to piles of rocks. In the streets ...
During the First World War, near Château Thierry, the french and british armies are fighting against the ennemy. Wounded German soldiers are taken prisoners, a truck carries a 305 mm tank and a hot-a...
This documentary celebrates the return of the Italian soldiers from the French front and shows the welcome given by the authorities (among them: the major of Torino, the Princess Laetitia of Savoia, t...
Artillery tests at the Campo Militare of San Maurizio (San Maurizio Canavese, Torino): howitzers and mortars charging, pointing and firing.
Cavalry manoeuvres held on July 27th, 1912, by the Ticino river, in front of the Count of Torino: descent to the Ticino river, pontoon boats transportation, river crossing on horses. This event is do...
The animals used to live in peace in Animalopolis, until ambition and pride led them to the war. It is an original apologue on the foolishness of war, transposed in an imaginary world of animals actin...
The film most possibly shows Prince Maximilian of Baden (1867-1929), who later became Reichskanzler. Servants and curious onlookers in front of Schloss Buchau await the heir to the throne of Baden, wh...
Animation movie showing puppets of the plush toy company Steiff. A boy wearing a sailor suit plays with soldier puppets and falls asleep. In his dream, the puppets come to life.
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
Im Soldaten-Kino, Der Kinematograph, 469, (1915), S. 8-9. Bericht über ein Kino an der Front. Das Kino helfe den Soldaten, durch Unterhaltungsfilme, die sie im zivilen Leben als sehr abgeschmackt ang...
Fort mit den letzten Überresten polizeilicher Gewalten, Die Filmwelt, 12.Jg., 49, (1918). Aufruf, dass nach Wegfall der Zensur auch alle anderen polizeilichen Verordnungen wie Werbeverbote oder das k...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 566, (1917), S. 21-22. Rezensionen zu "Aus des Deutschen Reiches Waffenschmiede", "Höhenluft mit Henny Porten" und "Der schwarze Chauf...
Josef Max Jacobi, Der Triumph des Films, Der Kinematograph, 563, (1917), S. 13-14. Die Macht des Films sei lange verkannt worden, im Krieg aber hätte sie sich bewiesen. Kinobesitzer sollten mit gutem...
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...
Voigt, Hildegard L.. "Die Hetze gegen die Lichtbildbühnen." Lichtbildbühne 23 (1913): 1-4. Die Kritiker des Kinos würden nur deren Auswüchse sehen, hätten aber nie ein anständiges Kino besucht. ...
Egon Jacobsohn, Ferdinand Lassalle, Der Kinematograph, 615, (1918), S. 18-30. Bericht von der Uraufführung in Berlin. Die Aufführung sei ein voller Erfolg gewesen, zumal es besonders gut in die Zeit...