The regimental band plays a tune led by its conductor. Various troopers and civilians watch the sports. A jumping contest - some of the officers wear 'No 1 Blues' uniform and others are in mufti. An o...
Very brief scene of Lord Roberts and his staff boarding SS Dunnottar Castle at Southampton docks for the trip to South Africa, 23rd December 1899.
The men are drawn up on parade for inspection. The Prince of Wales and inspecting officers move round them quickly, mainly backs to the camera.
Men of the City Imperial Volunteers (CIV) being ins...
Franz Josef walks with the mayor among the cheering crowds. His entourage, including Adjutant Lobkovitz, follows at a respectful distance. The Emperor walks past an exhibition of various cultures, hal...
The vehicles come down a straight road. They include trailers holding the stripped fuselages of aircraft, and what appears to be a photographic developing van.
Newsreel item of the transport vehi...
The troops are in rear-area camps and camouflaged trenches well below the snow-line. Josef, with his staff, walks around the area, completely informally, talking to the occasional soldier. He watches ...
Two aircraft, described as "hydroaeroplanes", are on the water. The first, a monoplane, looks like an adaptation of the Morane-Saulnier H Type, the second a variant on the Farman M Type design. The mo...
I. An officer shows the correct methods of mounting a horse, sitting at attention and at ease, trotting, the extended trot, leading off alternate legs and a dressage test. Following this, other riders...
Film poster
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Still from "Störe nicht die Flitterwochen"
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
"'Um das grosse Erbe'. Aufhebung eines Filmverbots", Der Kinematograph, 549, (1917), S. 11-14.
Universum Filmverleih, Söhne des Volkes, Der Kinematograph, 620, (1918), S. 3. "Der bisher unter dem Titel 'König des Lichts' angekündigte Film...der neue Film für die neue Zeit"
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 550, (1917), S. 15-17. Rezension aktueller Filme. Interessant ist, dass die russische Gesellschaft filmisch thematisiert wird. Karl Schneider,...