Wrecked houses, the result of shell-damage, are shown in the suburbs which were part of the French position. A German trench captured by the French is also shown.
The French forces in the Battle ...
The sailors who brought the coffins up the Adriatic coast to Trieste act as escorts as the hearses and state coaches, covered with flowers, make their procession through the streets. The procession ar...
Venizelos, with Generals Gérome and Zymbrakakis (?) inspects French troops, then a Greek regiment, talking with some of the officers and men.
Newsreel item on President Venizelos visiting Greek ...
The internees play together, tossing corks into a circle to pass the time.The ambulances pull up at the military hospital and a stretcher is taken out of one with a wounded soldier on it. One of the a...
The villa of Berti Soderini at Nervesca, containing frescoes by Paolo Veronese, shows extensive damage as the result of an Austrian bombardment, "the Hun touch".
Newsreel item on damage done by A...
The inside of the church is shown for a few seconds, it shows some shell damage. According to the caption "the Germans show no respect for churches".
Extremely brief newsreel item on damage to a ...
Major-General Sir Francis Lloyd, on horseback, inspects the members of the National Volunteer Reserve in Regents Park. They march past him, including bicycle troops.
Newsreel item on the National...
Major-General Sir Francis Lloyd inspects 2nd Battalion, the London Welsh (or 18th Battalion, Royal Welch Fusiliers) drawn up on parade at their barracks, and then in a nearby park. The Royal Welch 'fl...
Alice Verden
Still with Lyda Salmonova
Szene aus "Westfront 1918"
Paul Wegener
Erich Ponto, Alice Verden
Szene aus "Der rote Baron"
Adolf Klein (on the left), Henny Porten, Theodor Loos, Olga Engl (sitting, from left to right)
Szene aus "Aus dem Buche des Lebens"
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...