Very short piece of a water carnival held by 9th Brigade, 3rd Australian Division in May 1918, with punt battles, wrestling, diving from boards and swimming. Some men wear swimming costumes, others do...
The chief mourner is the Sultan's brother and successor, Ahmed Fuad I. The road to the palace has many spectators, and British soldiers lining the route as an honour guard. Lancers of the Sultan's bod...
A stage has been set up in a field near the town, and men of the Corps perform an acrobatic and dancing show in costume for an audience of soldiers of various nationalities, predominantly British, and...
Pershing addresses a group of US officers in the open. A supply column of US wagons moves along a road and rests in a field. Major-General Bundy, commanding US 2nd Division, comes out of his wooded lo...
Most people in the races are wounded soldiers. A wheelchair race for cripples or amputees (one man falls out of his chair). A three legged race for nurses and patients in pairs, with the patients faci...
I. Women making and shaping spade cutters for guns (endless repetition) using heavy plant, a factory in Britain, 1917 or 1918.II. Women making internal combustion engines, including some tank engines,...
A chubby soldier, in close-up, cuddles two lambs. Another feeds chickens from a metal plate, letting one stand and balance on the plate. One of the men puts on a German helmet and trench body armour, ...
General Sir Herbert Plumer, GOC Second Army (back to camera) presents medals to a line of four British nurses in a field near Blendecques, Western Front, 26 June 1918.
Still from "Der Feind im Land"
Still from "Der Geiger von Meißen"
Still from "Der Schwur der Renate Rabenau"
Lyda Salmonova, Paul Wegener
Paul Wegener
Still from "Der Film von der Königin Luise. 2. Abteilung: Aus Preußens schwerer Zeit"
"Der Golem, wie er in die Welt kam" (1920)
Film poster
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...