The party, in informal dress, walks in the gardens of the house. Beaverbrook's young daughter and two smaller sons (wearing kilts) are prominent. The group poses on the terrace steps, followed by a se...
The film stresses local personalities (some mentioned by name) and details of local life. At the village pump a notice-board is used for newspapers to spread news of the war. Children play round a may...
The Portuguese officers pose with their British liaison and training staff. A parade ground marchpast, possibly gunners doing formation drill. Semaphore practice on the parade ground. Gun teams practi...
The sports are held by convalescent soldiers wearing hospital blue uniforms, and by nurses. A man and woman in civilian clothes, well-dressed, throw sweets to the crowd of convalescents. The sports co...
A pan of the assembly camp in Egypt, tented and open, where the "recruits of all provinces dressed in various types of garb" arrive and are given Egyptian Labour Corps uniform, "the men are delighted ...
Horses from the farm are exercised by young ladies of the Women's Land Army Agricultural Section, acting as grooms. The horses are cantered round a paddock and over a low jump. Each of the eight girls...
Newsreel item showing US aviators arriving by lorry in Stratford, England, September 1918
A very brief scene of a parade of soldiers being addressed by civilians, possibly the visit of J R Bennett to the Royal Newfoundland Regiment at Ecuires, France, June 1918.
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
Still from "Gebrochene Schwingen"
Still with Henrik Galeen (first on the left), Paul Wegener (first from the right)
Paul Wegener, Lyda Salmonova
Still with Paul Wegener (in the middle)
Film poster
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Schumacher, Carl. "Zur 'Kinodramatik'." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 63-64. Schumacher stellt die Abwesenheit von Dialogen als das Hauptproblem...
Der Soldat und das Kino, Der Kinematograph, 420, (1915), S. 11-12. In vielen Kinos würden Soldaten auf Heimaturlaub einen Großteil des Publikums bilden. Viele Kinobesitzer würden glauben, dass dies...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.