The airmen are shown seated with civilians, possibly in the hall of Queen's College, Birmingham, and then formed up to enter the building. A pan over a group of civilians, probably the organisers of t...
The first boat, a steamer, tows two barges, followed by a Victoria Shipping Line steamer 'pushing' its barges. A small steamer, marked as S35, and two melon boats pass through a swing bridge. Two conv...
The film has a very brief unrelated shot of three naval officers at its start. The remainder shows Mark V tanks moving down a dusty road through a damaged village. As they move out of the village the ...
The train consists of two open-sided trucks, guarded by British soldiers of the Machine Gun Corps. Four of these soldiers go up to one of the trucks, clearly marked with a Red Cross on its roof, and t...
A British soldier walks through a forest of long, hooked metal poles set in concrete, probably as a form of reinforcement. A barbed wire entanglement more than fifty metres deep. An RAMC man emerges f...
The procession is led by a car covered in Union Jacks. It includes a military band, a mock stagecoach, more cars, a display of troops marching, military cadets, the 6-inch howitzer drawn by a camoufla...
One of the guests gets out of a car outside the main door of the house. The car, along with another, leaves through the gates. A further party of four guests emerging from another car is greeted by tw...
Three members of the section, all from different regiments, use gas cylinders from a portable trailer to inflate two small weather balloons, using a lead weight to determine the gas pressure of each b...
Still with Carl de Vogt (on the left, sitting)
Paul Wegener
Alice Verden, Erich Ponto (both front)
Golem-figures by sculptor Rudolf Belling
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Alice Verden
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
O. Verf.. "Filmempfehlungen der Lichtbilderei GmbH M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1917). Die genannten Filme (Quo Vadis, Die Jungfrau von Orle...
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...