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Videos
(3074 Results)

[WOUNDED AND PRISONERS BEHIND THE LINES ON THE WESTERN FRONT] [Allocated]
1917
Imperial War Museums
Other title(s):
- [WOUNDED AND PRISONERS BEHIND THE LINES ON THE WESTERN FRONT] [Allocated]

The film opens with rolling fields, corn stacks at regular intervals. Soldiers line up for an open-air pay parade. Walking wounded come up a hill towards the camera, followed by some stretcher cases, ...

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the ARTISTS RIFLES [Main]
1918
Imperial War Museums
Other title(s):
- [the BRITISH REGIMENTS] [Allocated Series]

By 1916 the Artists Rifles was not a serving battalion but a holding unit for officer trainees. A group of trainees is shown drilling on a parade ground, probably at Montreuil, and being addressed by ...

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the WORLD'S GREATEST STORY - EPISODE 8 [Main]
1919
Imperial War Museums

(Reel 15) The episode starts with 'Justice'. Lloyd George, as Minister of Munitions, gives a public speech from an Army staff car. A montage of women and men operating various metal presses, drop hamm...

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the WORLD'S GREATEST STORY - EPISODE 12 [Main]
1919
Imperial War Museums

(Reel 23) The episode starts with 'Justice'. Bayonet drill and a marchpast by the Northamptonshire Regiment. A marchpast and open air meal from the Cheshire Regiment, and a portrait shot of "Private J...

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the WORLD'S GREATEST STORY - EPISODE 13 [Main]
1919
Imperial War Museums

(Reel 25) The episode starts with 'Justice'. The opening states that this was "the great final offensive, in which the whole might of Britain's arms was concentrated, with an overwhelming force, upon ...

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RICHEBOURG ST VAAST [Main]
1917
Imperial War Museums

General scenes of destruction with British troops in the middle distance, showing mainly the damage done to the church, inside and out, and a water-filled crater.
Damage done to the village of Ri...

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LEWIS GUN SCHOOL [Main]
1917
Imperial War Museums

I. A Machine Gun Section of seven men with one Lewis gun walking in line across an open field comes to a ridge, and the men form for action. Four men go forward to set up the machine gun (a gunner, a ...

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GERMAN PRISONERS OF WAR : camp in England for non-commissioned officers and men [Main]
1917
Imperial War Museums

The camp is mainly of wooden huts with a few permanent buildings, for German NCOs and other ranks. Roll-call is taken early in the morning by the Germans themselves. Most are wearing patched uniforms ...

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Images
(4430 Results)

Die weißen Rosen von Ravensberg
Film still
1919
DFF – Deutsches Filminstitut & Filmmuseum

Still with Uschi Elleot

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Ein Mädchen zu verschenken
Film still
1913
DFF – Deutsches Filminstitut & Filmmuseum

Still from "Ein Mädchen zu verschenken"

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Der Rattenfänger
Poster
1918
DFF – Deutsches Filminstitut & Filmmuseum

Poster design

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Die Teufelsanbeter
Film still
1920
DFF – Deutsches Filminstitut & Filmmuseum

Still with Carl de Vogt (on the left, sitting)

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Der fremde Fürst
Film still
1918
DFF – Deutsches Filminstitut & Filmmuseum

Paul Wegener

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Der Geiger von Meißen
Film still
1920
DFF – Deutsches Filminstitut & Filmmuseum

Alice Verden, Erich Ponto (both front)

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Der Golem
Film still
1914
DFF – Deutsches Filminstitut & Filmmuseum

Golem-figures by sculptor Rudolf Belling

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Reingefallen
Film still
1914
DFF – Deutsches Filminstitut & Filmmuseum

Still from "Reingefallen"

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Texts
(661 Results)

Von den künsterischen Möglichkeiten des Wandelbildes. Aufsatz, um 1916
Article
1916
DFF – Deutsches Filminstitut & Filmmuseum
Details
Kritik aus Breslauer Generalanzeiger (22.10.1916)
Review
22.1
DFF – Deutsches Filminstitut & Filmmuseum
Details
Kritik aus Kölner Tageblatt (15.02.1915)
Review
15.0
DFF – Deutsches Filminstitut & Filmmuseum
Details
Kritik aus Neues Tagblatt (14.10.1916)
Review
14.1
DFF – Deutsches Filminstitut & Filmmuseum
Details
Filmprogramm von "Das Ende des Homunculus"
Programme
1916
DFF – Deutsches Filminstitut & Filmmuseum
Details
Zensur und Sittlichkeit
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...

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Der Film im Dienste der Politik
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...

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Die Vorteile durch den Krieg für das Kinotheater
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...

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