The film opens with rolling fields, corn stacks at regular intervals. Soldiers line up for an open-air pay parade. Walking wounded come up a hill towards the camera, followed by some stretcher cases, ...
By 1916 the Artists Rifles was not a serving battalion but a holding unit for officer trainees. A group of trainees is shown drilling on a parade ground, probably at Montreuil, and being addressed by ...
(Reel 15) The episode starts with 'Justice'. Lloyd George, as Minister of Munitions, gives a public speech from an Army staff car. A montage of women and men operating various metal presses, drop hamm...
(Reel 23) The episode starts with 'Justice'. Bayonet drill and a marchpast by the Northamptonshire Regiment. A marchpast and open air meal from the Cheshire Regiment, and a portrait shot of "Private J...
(Reel 25) The episode starts with 'Justice'. The opening states that this was "the great final offensive, in which the whole might of Britain's arms was concentrated, with an overwhelming force, upon ...
General scenes of destruction with British troops in the middle distance, showing mainly the damage done to the church, inside and out, and a water-filled crater.
Damage done to the village of Ri...
I. A Machine Gun Section of seven men with one Lewis gun walking in line across an open field comes to a ridge, and the men form for action. Four men go forward to set up the machine gun (a gunner, a ...
The camp is mainly of wooden huts with a few permanent buildings, for German NCOs and other ranks. Roll-call is taken early in the morning by the Germans themselves. Most are wearing patched uniforms ...
Still with Uschi Elleot
Still from "Ein Mädchen zu verschenken"
Poster design
Still with Carl de Vogt (on the left, sitting)
Paul Wegener
Alice Verden, Erich Ponto (both front)
Golem-figures by sculptor Rudolf Belling
Still from "Reingefallen"
Imperator Film GmbH, Wenn frei das Meer für deutsche Fahrt !, Der Kinematograph, 556, (1917), S. 30.
Walter Thielemann, Der Vaterländische Hilfsdienst und die Kinobranche, Der Kinematograph, 521/2 , (1916). Befürchtung, der Vaterländische Hilfsdienst könne die Kinobranche schwächen. Diese sei ab...
Kriegsanleihe-Filme, Der Kinematograph, 563, (1917), S. 22. Ankündigung neuer Trickfilme zur Werbung für die Kriegsanleihe. Sie werden allesamt als sehr unterhaltsam und technisch gelungen beschrieb...
Universum Filmverleih, Die Waffen nieder, Der Kinematograph, 620, (1918), S. 28-33.
Julius Sternheim, Propaganda-und Aufklärungsfilme, Der Kinematograph, 592, (1918), S. 12-14. Propagandafilme müssten maßgeblich eine Botschaft verfolgen, was sie oftmals zwangsläufig langatmig mac...
Hansa Filverleih GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 558, (1917), S. 19-21.
Notes on the film and its thematics (a fundraising event for the War Memorial).
2 film guides (brochures), 18 pages each, 1st. And 3rd. editions. Documentary about the ventriloquist and automata creator Francisco Sanz Baldoví, codirected by Maximiliano Thous and Sanz himself. It...