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Videos
(3074 Results)

FIVE YEARS AGO [Main]
1923
Imperial War Museums

I. (Reel 1) The Western Front 1916, re-edited sections of IWM 116 BATTLE OF THE ANCRE, using the same scenes and captions as the original, but not in the same order. This covers events in the middle p...

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EVERY LITTLE HELPS (first version) [Main]
1918
Imperial War Museums

A schoolmaster drives a tram as a part-time job. Other men board lorries taking them to work part-time on farms on Sundays. They are "of all classes, from lawyers to navvies". People without local all...

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EVERY LITTLE HELPS (second version) [Main]
1918
Imperial War Museums

The film stresses the need for part-time work to win the war. A schoolmaster drives a tram. Ladies make bandages, limb supports and other hospital items. Carpenters make crutches. Elderly part-time wo...

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EVERY LITTLE HELPS (second version, additional material) [Main]
1918
Imperial War Museums

Several shots of pigs feeding from troughs (some but not all of these shots are used in IWM 447B). Various shots of people making bandages, artificial limbs and crutches (most material used in IWM 447...

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WITH OUR BOYS AT THE FRONT (first version) [Main]
1918
Imperial War Museums

The funeral of a nurse killed when one of the British military hospitals in France was bombed (deliberately, according to the film) by the Germans in their March offensive. The caption style which is ...

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WOMEN AND THE WAR [Main]
1918
Imperial War Museums

The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...

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ANNALES DE LA GUERRE 58 - ANNIVERSAIRE DU TRAITE DE FRANKFORT [Main]
1918
Imperial War Museums

The film opens with a German jackboot across the map of Alsace-Lorraine. An old couple in Alsatian costume read the news of the annexation and bemoan their fate while German officers strut outside the...

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a DAY IN THE LIFE OF A MUNITION WORKER [Main]
1917
Imperial War Museums

The young woman leaves her terraced house (section tinted blue) at 5am and takes the train to the factory (tinting ends). In the locker room she and the others change into overalls and boots, and cloc...

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Images
(4430 Results)

ZF 0664 - picture 2
Set photo
1919
Národní filmový archiv
Other title(s):
- ZF 0664 - picture 2

Wounded soldiers rest on camp beds in front of the hospital building.

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ZF 0664 - picture 3
Set photo
1919
Národní filmový archiv
Other title(s):
- ZF 0664 - picture 3

Wounded soldiers eat in a hospital room.

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ZF 0664 - picture 4
Set photo
1919
Národní filmový archiv
Other title(s):
- ZF 0664 - picture 4

A military doctor shows a wounded soldier to a Red Cross delegation.

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ZF 1168 - picture 3
Set photo
1921
Národní filmový archiv
Other title(s):
- ZF 1168 - picture 3

Requisition of horses.

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ZF 1168 - picture 4
Set photo
1921
Národní filmový archiv
Other title(s):
- ZF 1168 - picture 4

Conscripts in the assembly camp.

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Messter-Woche
Poster
1916
DFF – Deutsches Filminstitut & Filmmuseum
Other title(s):
- Messter-Woche
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Poručík Alexander Rjepkin - picture 2
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 2

Wide shot of a hospital room. A standing First Lieutenant Schranel (actor: Vladimír Pospíšil-Born) shakes hands with First Lieutenant Liška (actor: František Kreuzmann), who is sitting on a bed w...

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Poručík Alexander Rjepkin - picture 6
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 6

View of a dance café. Several couples are dancing on the left, including First Lieutenant Schranel (actor: Vladimír Pospíšil-Born) and Nurse Mathilde (actress: Adina Mandlová). To the right of th...

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Texts
(661 Results)

Im Soldaten-Kino
Article
1915
DFF – Deutsches Filminstitut & Filmmuseum

Im Soldaten-Kino, Der Kinematograph, 469, (1915), S. 8-9. Bericht über ein Kino an der Front. Das Kino helfe den Soldaten, durch Unterhaltungsfilme, die sie im zivilen Leben als sehr abgeschmackt ang...

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Fort mit den letzten Überresten polizeilicher Gewalten
Article
1918
DFF – Deutsches Filminstitut & Filmmuseum

Fort mit den letzten Überresten polizeilicher Gewalten, Die Filmwelt, 12.Jg., 49, (1918). Aufruf, dass nach Wegfall der Zensur auch alle anderen polizeilichen Verordnungen wie Werbeverbote oder das k...

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Neuheiten auf dem Berliner Filmmarkte
Review
1917
DFF – Deutsches Filminstitut & Filmmuseum

Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 566, (1917), S. 21-22. Rezensionen zu "Aus des Deutschen Reiches Waffenschmiede", "Höhenluft mit Henny Porten" und "Der schwarze Chauf...

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Der Triumph des Films
Article
1917
DFF – Deutsches Filminstitut & Filmmuseum

Josef Max Jacobi, Der Triumph des Films, Der Kinematograph, 563, (1917), S. 13-14. Die Macht des Films sei lange verkannt worden, im Krieg aber hätte sie sich bewiesen. Kinobesitzer sollten mit gutem...

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Flandrisches Tagebuch 02 (Auszug aus Typoskript)
Manuscript
DFF – Deutsches Filminstitut & Filmmuseum
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Oesel genommen
Review
1917
DFF – Deutsches Filminstitut & Filmmuseum

Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...

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Die Hetze gegen die Lichtbildbühnen
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Voigt, Hildegard L.. "Die Hetze gegen die Lichtbildbühnen." Lichtbildbühne 23 (1913): 1-4. Die Kritiker des Kinos würden nur deren Auswüchse sehen, hätten aber nie ein anständiges Kino besucht. ...

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Ferdinand Lassalle
Review
1918
DFF – Deutsches Filminstitut & Filmmuseum

Egon Jacobsohn, Ferdinand Lassalle, Der Kinematograph, 615, (1918), S. 18-30. Bericht von der Uraufführung in Berlin. Die Aufführung sei ein voller Erfolg gewesen, zumal es besonders gut in die Zeit...

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