I. (Reel 1) The Western Front 1916, re-edited sections of IWM 116 BATTLE OF THE ANCRE, using the same scenes and captions as the original, but not in the same order. This covers events in the middle p...
A schoolmaster drives a tram as a part-time job. Other men board lorries taking them to work part-time on farms on Sundays. They are "of all classes, from lawyers to navvies". People without local all...
The film stresses the need for part-time work to win the war. A schoolmaster drives a tram. Ladies make bandages, limb supports and other hospital items. Carpenters make crutches. Elderly part-time wo...
Several shots of pigs feeding from troughs (some but not all of these shots are used in IWM 447B). Various shots of people making bandages, artificial limbs and crutches (most material used in IWM 447...
The funeral of a nurse killed when one of the British military hospitals in France was bombed (deliberately, according to the film) by the Germans in their March offensive. The caption style which is ...
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
The film opens with a German jackboot across the map of Alsace-Lorraine. An old couple in Alsatian costume read the news of the annexation and bemoan their fate while German officers strut outside the...
The young woman leaves her terraced house (section tinted blue) at 5am and takes the train to the factory (tinting ends). In the locker room she and the others change into overalls and boots, and cloc...
Alice Verden
Still from "Störe nicht die Flitterwochen"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Die Rohfilmsorge, Der Kinematograph, 456, (1915), S. 15. Bericht über die Auswirkungen des kriegsbedingten Rohstoffmangels auf die Filmindustrie.
Rheinische Filmgesellschaft , Aus eines Mannes Mädchenjahren, Der Kinematograph, 645, (1919), S. 5.
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Schumacher, Carl. "Zur 'Kinodramatik'." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 63-64. Schumacher stellt die Abwesenheit von Dialogen als das Hauptproblem...
Der Soldat und das Kino, Der Kinematograph, 420, (1915), S. 11-12. In vielen Kinos würden Soldaten auf Heimaturlaub einen Großteil des Publikums bilden. Viele Kinobesitzer würden glauben, dass dies...