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Videos
(3074 Results)

LEST WE FORGET [Main]
1918
Imperial War Museums

The film shows sailors carrying stretchers with survivors from the sinking through the streets of an Irish village. The formal funeral of those who drowned in the sinking, also in Ireland. A close-up ...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 335-2 (fragment 2) [Main]
1918
Imperial War Museums

I. Newsreel item on Sir Edward Kemp, Canada's Minister of Militia, working at his desk and in profile against a window, January 1918. II. Newsreel item on US Ambassador Walter Page opening a YMCA for ...

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[PATHE FIRE STOCKSHOTS] [Main]
1918
Imperial War Museums

The first fire is in London, "Britain's largest timberyard" burning. The second fire is an asphalt works in New Jersey, with oil tanks and barrels ablaze. The third conflagration is at "Saint Margret'...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 333-2 (Spanish version, fragment 1) [Main]
1918
Imperial War Museums

The women work in a hangar assembling the aircraft. Some of the women are in the Women's Army Auxiliary Corps. They make the wooden frames for the aircraft wings, then attach the fabric. A group of th...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 333-2 (Spanish version, fragment 2) [Main]
1918
Imperial War Museums

Spanish language version of a newsreel item on British horsed transport detouring round the dry Wadi Hersi, north of Gaza, since the retreating Turks have blown the bridge, Palestine, November 1917.

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WAR OFFICE OFFICIAL TOPICAL BUDGET 334-2 (Spanish version, fragment) [Main]
1918
Imperial War Museums

A German 150mm gun is towed into a wood east of Ribecourt on the Marcoing road by a Mark IV female tank HMLS 'Intimidate' (of 'I' Company, Tank Corps ?) and met by men of the Royal Artillery and (prob...

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[ASQUITH IN FRANCE, 1916] [Allocated]
1916
Imperial War Museums
Other title(s):
- [ASQUITH IN FRANCE, 1916] [Allocated]

Asquith has his back to the camera throughout. He is first shown talking with British officers near Contay, then at the Royal Flying Corps base at Fienvillers watching a Sopwith 1-1/2 Strutter of 70 S...

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MESOPOTAMIA - EXAMPLES OF ANCIENT ARCHITECTURE [Main]
1918
Imperial War Museums

The film opens with views of two sets of ruins, one with children playing. This is followed by close-ups, probably in both Babylon and Ctesiphon, of "carvings, depicting biblical incidents, hewn out o...

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Images
(4430 Results)

Poručík Alexander Rjepkin - picture 7
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 7

Exterior view of a train. Six Russian soldiers (prisoners of war) with Asian features are sitting or standing in the train's open door. Some of the soldiers are holding bread in their hands and all ar...

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Poručík Alexander Rjepkin - picture 10
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 10

Wide shot of a café filled with Austrian officers. Some are sitting at tables and others are standing in the background, most of them hold glasses in their hands. Nurse Mathilde (actress: Adina Mandl...

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Poručík Alexander Rjepkin - picture 12
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 12

Wide shot of an office. Dr. Šrámek (actor: František Smolík) in the uniform of an Austrian officer sits at a desk and gazes at the nurse Mathilde (actress: Adina Mandlová), who is standing on the...

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Poručík Alexander Rjepkin - picture 13
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 13

Medium shot of an Austrian soldier standing with an Austrian colonel (Jaroslav Marvan), Dr. Šrámek (František Smolík), and Lieutenant Rjepkin (Vladimír Borský). The soldier is pointing his bayon...

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Poručík Alexander Rjepkin - picture 15
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 15

Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...

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Poručík Alexander Rjepkin - picture 16
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 16

Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...

Details
Poručík Alexander Rjepkin - picture 17
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 17

Wide shot of a church interior that has been converted into a military hospital. Wounded soldiers sit or lie on hospital beds lined up along the walls. Other patients sit at the two tables standing in...

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Poručík Alexander Rjepkin - picture 18
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 18

Wide shot of a hospital room where doctors are making rounds. On the left are tables with bread and carafes of water. Chairs are standing around the tables. Five doctors stand in the middle of the roo...

Details

Texts
(661 Results)

Im Soldaten-Kino
Article
1915
DFF – Deutsches Filminstitut & Filmmuseum

Im Soldaten-Kino, Der Kinematograph, 469, (1915), S. 8-9. Bericht über ein Kino an der Front. Das Kino helfe den Soldaten, durch Unterhaltungsfilme, die sie im zivilen Leben als sehr abgeschmackt ang...

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Fort mit den letzten Überresten polizeilicher Gewalten
Article
1918
DFF – Deutsches Filminstitut & Filmmuseum

Fort mit den letzten Überresten polizeilicher Gewalten, Die Filmwelt, 12.Jg., 49, (1918). Aufruf, dass nach Wegfall der Zensur auch alle anderen polizeilichen Verordnungen wie Werbeverbote oder das k...

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Neuheiten auf dem Berliner Filmmarkte
Review
1917
DFF – Deutsches Filminstitut & Filmmuseum

Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 566, (1917), S. 21-22. Rezensionen zu "Aus des Deutschen Reiches Waffenschmiede", "Höhenluft mit Henny Porten" und "Der schwarze Chauf...

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Der Triumph des Films
Article
1917
DFF – Deutsches Filminstitut & Filmmuseum

Josef Max Jacobi, Der Triumph des Films, Der Kinematograph, 563, (1917), S. 13-14. Die Macht des Films sei lange verkannt worden, im Krieg aber hätte sie sich bewiesen. Kinobesitzer sollten mit gutem...

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Flandrisches Tagebuch 02 (Auszug aus Typoskript)
Manuscript
DFF – Deutsches Filminstitut & Filmmuseum
Details
Oesel genommen
Review
1917
DFF – Deutsches Filminstitut & Filmmuseum

Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...

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Die Hetze gegen die Lichtbildbühnen
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Voigt, Hildegard L.. "Die Hetze gegen die Lichtbildbühnen." Lichtbildbühne 23 (1913): 1-4. Die Kritiker des Kinos würden nur deren Auswüchse sehen, hätten aber nie ein anständiges Kino besucht. ...

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Ferdinand Lassalle
Review
1918
DFF – Deutsches Filminstitut & Filmmuseum

Egon Jacobsohn, Ferdinand Lassalle, Der Kinematograph, 615, (1918), S. 18-30. Bericht von der Uraufführung in Berlin. Die Aufführung sei ein voller Erfolg gewesen, zumal es besonders gut in die Zeit...

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