The syrup is collected in March, when the farmer drills a small hole in the tree then attaches a wooden "spile" for the sap to flow out of, and a bucket in which the sap is collected. The sap from sev...
The film appears to start in Calcutta with street scenes, and views of some of the buildings, both Western and Eastern in influence. A funeral procession takes place, ending at the river. Further inla...
A man in the uniform of an RFC flight sergeant prepares the camera on a workbench. First the lens cap is removed and the lens cleaned. Then he sets the blind aperture and the exposure indicator to zer...
The cadets, on the ground, study maps. Two of them climb out of a Bristol F2B Fighter after a training flight. One has his parachute harness checked. Another tries to control his parachute on the grou...
A Vickers Virginia bomber is set up to be fired from one of the catapults. First, a pilot gets into a smaller aircraft, a Fairey IIIF (not a seaplane) which is launched by one version of the catapult,...
A Vickers Virginia bomber is launched from the catapult. On the second launch the camera shows the view from the front of the bomber as it flies forward out of the catapult.
Newsreel item on expe...
The aircraft comes in to land at Cranwell and taxies to a halt. The crew members, Squadron Leader A G Jones-Williams and Flight Lieutenant N H Jenkins, are congratulated on their flight, which took 50...
The Germans lost eleven Zeppelins in the course of the raid, five of them over France. First, the wreck of one of the airships is inspected by French soldiers, while two of the aircraft which shot it ...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...