The Invention Department tests Gabriel Voisin's inflatable hangar. Inflatable in less than one minute, it is submitted to military authority for use by soldiers. When inflated, a huge tarpaulin connec...
In 1915, during World War I, Tsar Nicolas II inspects his troops, then the cavalry marches past.
Daily life in a camp of Algerian spahis at the mouth of the Yser River: men resting, caring for horses, panorama of tents, portraits of Goumiers, dances, charge in the dunes and along the seaside, equ...
During World War I, soldiers transport 75 mm field guns, towed by horses across the countryside, then begin shooting.
A man is drawing Uncle Sam sitting on a pile of bags filled with dollar bills. Little by little, modeling clay starts to replace the drawing. Dark clouds form near him and take the shape of an intimid...
In Blérancourt, a little town in Aisne where the Civil Security has been set up on the ruins of the chateau, American women raise the American flag. Mr. Fernand David, the Minister of Agriculture, an...
Jules-Louis Breton and the members of the Invention Department Studies and Technical Experiments Section attend flame-thrower tests in a field and in a trench.
A plane drops bombs from different altitudes to study the trajectory of the projectiles and calculate the freefall time.
Alice Verden
Still from "Störe nicht die Flitterwochen"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...