After five years of war and hardship, young people need a distraction from the dreary atmosphere of the devastated villages. In Aisne, the reconstruction is slow. The American Committee decides to adv...
In front of Landricourt's temporary church, a crowd attends the baptism of a bell that will replace the one destroyed during WWI. The new bell was donated by the Poetry Society of America in memory of...
In June 1919 at the Mailly military camp, tanks carry out traction tests on rough terrain while Marshal Pétain looks on.
Lieutenant Lender and Paul Heldelberg present the "Piloteur" to the Invention Department's Technical Aeronautic Committee. Using this device, which is anchored to the ground, student pilots can learn...
In a field, soldiers, officers, civilians, and Jules-Louis Breton, members of the Invention Department Committee, study different types of machine guns designed to be fired at tanks.
The Higher Invention Committee examines the Chilowsky shrapnel to increase the power of projectiles.
A group of officers and civilians attends the assembly and test-firing of the 240mm Trench Mortar.
The department of inventions, studies, and technical experiments on powders and explosives carries out test explosions off Toulon. The technical and scientific team prepares the experiment aboard a bo...
Alice Verden
Still from "Störe nicht die Flitterwochen"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...