Soldiers from the Russian army have set up an encampment and are eating on the outskirts of a forest, in thick snowfall. Near a village, cannons are fired. Men, women, and children, on their way into ...
May 1916. A large detachment of prisoners arrives at the Souilly (Meuse) camp. The detachment stands out, with prisoners from Alsace, Poland and Denmark. Featuring: A panorama of the camp and its wall...
During World War I, in Reval on November 10, 1915, Tsar Nicolas II inspects a submarine crew.
November 11, 1915, in Riga (?), Tsar Nicolas II inspects regiments of Siberian skirmishers who then march past the Emperor, performing a few acrobatics with their horses. At the end, the imperial fami...
Aboard a small boat pulled by a tugboat in the Toulon harbor, Jules-Louis Breton and some members of the Invention Department Technical Engineering Committee try out underwater goggles to find a subma...
As part of a Higher Committee organized by the Invention Department, mechanics attach a wheel then couple a gun to Lieutenant Breton's tank.
The Higher Invention Committee attends anti-torpedo test-firing beside a lake.
In July 1916, the 1st corps of the colonial army is deployed and seizes an observation post from the Germans on the front at the Somme. The general has come to take stock of the cannons taken from the...
Paul Wegener in a double role in "Der Student von Prag" (1913)
Lyda Salmonova
Paul Wegener in a double role in "Der Student von Prag" (1913)
Paul Wegener in "Der Golem, wie er in die Welt kam" (1920)
Henny Porten, Eduard von Winterstein
Joseph Klein, Henny Porten
Paul Wegener in a double role in "Der Student von Prag" (1913)
Esimese postilennuki teele saatmine Helsingisse Lasnamäelt.
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...