Soldiers from the Russian army have set up an encampment and are eating on the outskirts of a forest, in thick snowfall. Near a village, cannons are fired. Men, women, and children, on their way into ...
May 1916. A large detachment of prisoners arrives at the Souilly (Meuse) camp. The detachment stands out, with prisoners from Alsace, Poland and Denmark. Featuring: A panorama of the camp and its wall...
During World War I, in Reval on November 10, 1915, Tsar Nicolas II inspects a submarine crew.
November 11, 1915, in Riga (?), Tsar Nicolas II inspects regiments of Siberian skirmishers who then march past the Emperor, performing a few acrobatics with their horses. At the end, the imperial fami...
Aboard a small boat pulled by a tugboat in the Toulon harbor, Jules-Louis Breton and some members of the Invention Department Technical Engineering Committee try out underwater goggles to find a subma...
As part of a Higher Committee organized by the Invention Department, mechanics attach a wheel then couple a gun to Lieutenant Breton's tank.
The Higher Invention Committee attends anti-torpedo test-firing beside a lake.
In July 1916, the 1st corps of the colonial army is deployed and seizes an observation post from the Germans on the front at the Somme. The general has come to take stock of the cannons taken from the...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
O. Verf.. „Deutschlands Ein- und Ausfuhr von Kinofilmen im Jahre 1912.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 236. Wirtschaftsstatistiken aus dem ...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 418, (1914), S. 27-35.