On September 30, 1919, Armenian volunteers march in the rain at Invalides to commemorate having fought at the Allies' side during World War I. A camera operator films the scant crowd.
In 1917, Chinese workers who have come to France to support the Allies in the war effort, move forward in a line then disperse, as some civilians look on.
In August 1918, during World War I, Parisians can protect themselves from bombings by German Gothas by hiding in public shelters with varying capacities. To prevent glass from falling, shops and depar...
In August 1918, during World War I, the city of Havre is a swarm of activity. The naval base of the Belgian, British, and American forces, many soldiers transit through this city. At the port, shuttle...
In January 1921 in Paris, many unemployed workers stand in line in front of a soup kitchen. A police officer makes sure that the line is organized and functioning smoothly.
In the Renault factory's Parisian workshops, the workers carry out their respective tasks. A foreman helps a woman perform a maneuver that requires strength. At the end of the day, the workers leave e...
This documentary shows the air raid undertaken by Gabriele D’Annunzio over Vienna on August 9th, 1918, to drop propaganda leaflets over the enemies. The documentary is made of real images taken from...
Synopsis: A student – Tammekänd, blacksmith – Laansoo and a farmhand – Lepik battle for their country in the Estonian War of Independence. An adventurous story with exciting battle scenes, come...
Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...
Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...