On September 30, 1919, Armenian volunteers march in the rain at Invalides to commemorate having fought at the Allies' side during World War I. A camera operator films the scant crowd.
In 1917, Chinese workers who have come to France to support the Allies in the war effort, move forward in a line then disperse, as some civilians look on.
In August 1918, during World War I, Parisians can protect themselves from bombings by German Gothas by hiding in public shelters with varying capacities. To prevent glass from falling, shops and depar...
In August 1918, during World War I, the city of Havre is a swarm of activity. The naval base of the Belgian, British, and American forces, many soldiers transit through this city. At the port, shuttle...
In January 1921 in Paris, many unemployed workers stand in line in front of a soup kitchen. A police officer makes sure that the line is organized and functioning smoothly.
In the Renault factory's Parisian workshops, the workers carry out their respective tasks. A foreman helps a woman perform a maneuver that requires strength. At the end of the day, the workers leave e...
This documentary shows the air raid undertaken by Gabriele D’Annunzio over Vienna on August 9th, 1918, to drop propaganda leaflets over the enemies. The documentary is made of real images taken from...
Synopsis: A student – Tammekänd, blacksmith – Laansoo and a farmhand – Lepik battle for their country in the Estonian War of Independence. An adventurous story with exciting battle scenes, come...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...