A patriotic drama played by one of the most beloved actresses of early Italian cinema: Mary Cléo Tarlarini is Mary, a high society lady who devotes all her dedication to the Italian patriotic cause, ...
Vistas of some of the most well-known Spanish locations: Madrid, Barcelona, the bay of St. Sebastian, Burgos, Segovia, Malaga. It shows cock fights, the palace of the Alhambra in Granada and banks fil...
Cretinetti is about to get married and he could not be any happier and more in love with his Junoesque consort. But just on the day of his wedding, he reads a notice on the wall explaining how to beha...
The film is made up of three episodes: In the gulf of La Spezia, The Val D’Aosta and In the Picturesque Lagoon. It is probably a new edition distributed by Tiziano Film in which older films produced...
War documentary filmed in Val Camonica (Brescia). The film begins with images of supplies being downloaded from a train at the station of Edolo. Bread, tins of beef and cheeses were destined for the s...
Prime Minister Antonio Salandra visits in Turin the Military Hospital Riberi (Corso IV Novembre) and the Mauriziano Hospital (Via Ferdinando Magellano). He concludes his visit in Piazza Castello where...
1. Früher Morgen auf dem Gletscher-, eine Soldatenpatrouille im Eis. 2. In den feindlichen Linien ist auffallende Bewegung wahrgenommen worden. Eine Patrouille, die das Vorfeld aufklären soll, marsc...
Dieses Filmdokument ist eines der wesentlichen Zeugnisse des österreichisch-italienischen Gebirgskrieges, neben heroischen Gesten berichten die Bilder aber auch von den Strapazen und der Grausamkeit ...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Grempe, P. M.. “Der Wert kinematographischer Aufnahmen für die Kunst.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 79-80. Erörterung, wie die Kenntnisse...
Lorenzen, Ernst und Ewers, Hanns Heinz. „Der Student von Prag.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 140-142. Der Film sei ein Meilenstein, weil er zu...