Werbefilm für die 9. Kriegsanleihe. Ägir, der König der Meere, auf dem Meeresgrund mit schwebenden Meerjungfrauen. Ägir beim Mahl englischer Leckerbissen, die von Schiffen stammen, die deutsche U-...
1. Zwischentitel: Besuch des Generalfeldmarschall August v. Mackensen in Konstantinopel. Abfahrt vom Bahnhof und Begrüßung des Gastes durch die Konstatninopeler Bevölkerung. 2. Zwischentitel: Gener...
French-Belgian production. Patriotic film based on the odyssey of the Atlas V. The Atlas V was a Belgian tug boat which was armed by resistance forces during the First World War. In the night of 3 and...
Remake of Martin's silent movie La Tragédie de Marchienne (1929). A group of children is listening carefully to an aged shepherd telling the story of Yvonne Vieslet. This Belgian girl, aged 10 at the...
European fairy tale in which George Longsford, 'Marquis de Carabas', succeeds in stealing the heart of the king's daughter, with a little help from Charles Catworth, puss in boots.
War-time report, broadcasted in August 1919.
Diana is assigned to find out the details of the enemy's war tactics. Together with her partner in crime, Robertson, she manages to get in touch with Captain Argo and retrieves secret information. All...
American melodramatic war movie. An American marries the widow of one of his French army friends, who never got back from the front. They live their lives together and take care of the child, who was ...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Passt das Kino in den Ernst der Zeit ?, Der Kinematograph, 468, (1915), S. 20-21. Die Kritik am Kino sei völlig unangebracht, da das Kino generell mit anderen Maßstäben gemessen werde als andere Un...
O. Verf.. "Das Kinoplakat." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70. Meldung über die zunehmende Hebung des Niveaus von Kinoplakaten. Statt auf grelle...
L. B., Berliner Filmneuheiten, Der Kinematograph, 686, (1920), S. 21-22. "Das Cabinet des Dr. Caligari" wird als bahnbrechendes Werk beschrieben, dass beweise, wozu die Filmkunst imstande sei. "Der Re...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 416, (1914), S. 19-20. Rezension der Kinoneuerscheinungen. Die Zahl der rezensierten Unterhaltungsfilme (in denen Soldaten zwar dargestellt we...
O. Verf.. „Das Programm in Kriegszeiten.“ Der Kinematograph 405 (1914): 8. Obwohl viele Kinos geschlossen hätten, würden die Besucherzahlen in den Kinos immer weiter zunehmen. Dies sei insbesond...
Rosenthal, Alfred. „Kinovorstellungen in Vereinen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 198-200. Ratgeber mit Vorschlägen, wie Filmvorführungen in ...