Vittorio Emanuele III si reca in visita a Trieste per il 24 maggio. Lo accompagnano il maresciallo Diaz e il Duca del Mare Thaon di Revel.
1 - picchetto d'onore, autorità laiche e militare atten...
Arrival of returning German POWs at Wetzlar train station. The soldiers are greeted at the station by a crowd of people. Since the train is arriving from the direction of Cologne, it can be assumed th...
This French film shows General Joseph Joffre, the commander of the French army, visiting a battalion of mountain troops in Alsace. Among other things, Joffre awards medals to some of the soldiers and ...
Ukrainians in Wetzlar, 1919 Footage of the prisoner of war camp Büblingshausen. The Ukrainian soldiers march up to the consecration of the flag. They are dressed in new uniforms in Ukrainian style an...
"Les Annales de la Guerre" is considered the first state-produced newsreel in the history of cinema. Beginning in the spring of 1917, the French government produced the series through a film departmen...
Two French spies, Baron d’Aubigny and Clemence de Montignon, blackmail German engineer Günther Ellinghaus with his gambling debts into handing over his construction plans for the new Ikarus engine....
Miss Lo leaves finishing school and returns to her parents’ hotel “Zum Weißen Schwan”. One of the chambermaids eloped with the bellboy and now the daughter has to help out – sometimes as a ma...
An airship returns to its squadron. Unaware of the looming danger, a young man dreams of his future. He is a talented inventor who has perfected an astonishing flying machine, which he is about to try...
Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...
Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...