While traveling incognito through his kingdom, Prince Ludwig of Saxe-Tholberg becomes infatuated with Katrina, the daughter of innkeeper Hermann Ardelheim, but their idyll is interrupted by the arriva...
A retrospective view of the events of the German revolution produced by DEFA-Studio (GDR) in 1958. The revolutionary period lasted from November 1918 until the formal establishment of the Weimar Repub...
Maria Bonde is the object of affection of baron Fedja Bronikow from Sofia, Bulgaria. However, Maria is actually in love with her sister’s fiancé, Martin Steinert, who reciprocates her feelings. Her...
The Baltic captain Terje Wiggen works as a pilot on the island of Muhu. When the mate of the ship “Carola” calls in sick, he jumps at the chance of reviving his life as a sailor – against the wi...
Fashion salesman Amadeus flirts with the secretary when his wife Emma pays him an unexpected visit. She asks for a new coat. He gives her a checkered raincoat from his storage. At home she meets her f...
Extracts from an unidentified film about sea battles during the First World War. - A Japanese freighter [legible: Maru - Kobe] - Cannon fire. - A three-master in the wind. - Crew (of a captured ship?)...
Even after the end of the First World War, there is a marked feeling of hostility and resentment on the German-French border. Despite this, the German miners come to the rescue when a mining accident ...
A military parade in the Balkans. An outdoor mass. The main square, flagged and decorated. Gun salutes at the roadside. A parade, a band and both infantry and artillery soldiers pass by the Austrian a...
Film poster
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Still from "Störe nicht die Flitterwochen"
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
"'Um das grosse Erbe'. Aufhebung eines Filmverbots", Der Kinematograph, 549, (1917), S. 11-14.
Universum Filmverleih, Söhne des Volkes, Der Kinematograph, 620, (1918), S. 3. "Der bisher unter dem Titel 'König des Lichts' angekündigte Film...der neue Film für die neue Zeit"
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 550, (1917), S. 15-17. Rezension aktueller Filme. Interessant ist, dass die russische Gesellschaft filmisch thematisiert wird. Karl Schneider,...