A newsreel consisting of items from various countries, including a commemoration of the Declaration of Independence in the United States, Canadian soldiers doing sports, Red Cross nurses at work, and ...
Newsreel with mainly news reports from England, France and Mexico. Several items concerning the beginning of the First World War.
A newsreel from the First World War with shots of flooding in England, a Turkish army camp, German soldiers among the Belgian population, and an English army camp in Thessaloniki.
Romantic comedy in which a soldier falls in love with a flighty girl. Daantje Peters is the son of a grocer from Schoonhoven who, during his time as an army conscript, meets Betsy, the girl in the bl...
An anthology of shots of the operators from International News, New York.
A newsreel with items from France and Belgium about the first meeting of the International Labour Organisation, and images of a carnivorous plant.
Newsreel about the aftermath of the First World War with items in memory of the war.
Newsreel with items mainly directed to Great Britain about a walking competition, English sailors who are celebrating New Year's Eve in Groningen and Queen Mary presents prizes during the final of a f...
Paul Wegener, Pola Negri
Still from "Das Liebesbarometer"
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...