Evokacija uspomena, posredstvom fotografija, arhivskog materijala i sačuvanih dokumenata, na borbe srpskog naroda u I svetskom ratu. Bitke na Ceru i Kolubari, povlačenje kroz Albaniju. Proboj Soluns...
On the occasion of the Battle of Cer anniversary, the first victory of the Allied army in World War I, on Vidovdan (Saint Vitus` Day) the 28th June 1928, the King Alexander unveiled the commemorative ...
CALVARY DIVISION IN THE 32ND SQUADRON UNDER LEADERSHIP OF HIS MAJESTY THE PRINCE ARSENIJE IN PRESEVO Several days after the final victory of Serbia over Bulgaria in the Second Balkan War, according to...
At the end of the World War I, considerably destroyed Austro-Hungarian regiment finds itself at the abandoned farmstead and its commander, the Colonel, tries in vain to make a connection with the high...
Aleksa Dundić, an officer of the Serbian volunteer corps in Russia during the Civil war, crossed over to the Red Army along with other four soldiers. Soon he distinguished himself with his valour and...
Film is created through a combination of rich archival material, photographs and documents about the struggle of the Serbian and other peoples of the former Yugoslavia to liberate unite into one state...
After the unexpected and great victory of the Serbian Army in the massive conflict in World War I, the battle of Cer at the end of August 1914, the preparation of the opposing armies HQs (the Serbian ...
BATTLE ON ZEDILOVO ON THE POSITION IN FRONT OF CUSTENDIL The Second Balkan War. One of the greatest victories of the Serbian army in the central front during the Battle of Bregalnica against Bulgarian...
Medium shot of Lieutenant Rjepkin (actor: Vladimír Borský) and Nurse Mathilde (actress: Adina Mandlová) standing in a small room. The nurse is in uniform and holds the button on Rjepkin's coat. In ...
Medium shot of three privates: Tlamicha (actor: Theodor Pištěk), yawning Sakař (actor: Jindřich Plachta), and smiling Vyskočil (actor: Břetislav Hrstka).
Medium close-up of the wounded Corporal Bartoněk (actor: Jiří Vondrovič) with bandaged eyes and an arm in a cast with Nurse Tonička (actress: Truda Grosslichtová, in profile).
Medium shot of an operating room. Standing around the lying patient are Dr. Klíma (actor: Karel Veverka), a nurse (actress: Míla Mellanová), Dr. Šrámek (actor: František Smolík), and another nu...
Wide shot of a hospital corridor with Dr. Šrámek (actor: František Smolík), nurse Mathilde (actress: Adina Mandlová), and Lieutenant Rjepkin (actor: Vladimír Borský). Other patients can be seen...
Wide shot of a hospital room during doctor's rounds. In the centre, a Muslim patient in a robe and with a fez on his head sits on a bed. To the left of him stands a group of five doctors with doctors ...
Wide shot of men sitting at a table in a hospital room. Sakař (actor: Jindřich Plachta) is standing at the head of the table with raised arms, speaking to the group. Sitting to the left of him is Vy...
Wide shot depicting the activity in front of a stopped train. Combat medics are carrying Lieutenant Rjepkin (actor: Vladimír Borský) from the train on a stretcher; Rjepkin is covered with a blanket....
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Theodor Zimmermann, Zur Lage in der Zensurfrage, Der Kinematograph, 624, (1918). Bericht, dass das Innenministerium befohlen habe, alle Zensurverordnungen unverzüglich aufzuheben. Lediglich Verordnun...
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Mercedes-Film GmbH, Die Leibhusaren und ihre Geschichte, Der Kinematograph, 565, (1917). Die Werbung verweist darauf, dass der Film durch von Mackensens Frau gefördert wird.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...
R. Genenchen, Kriegsunterstützung und Kinobesuch, Der Kinematograph, 506, (1916), S. 17. Bericht darüber, dass die Gemeinde Weida/Sachsen Soldatenfrauen, die Kinos besuchen, die städtische Unterst...