Evokacija uspomena, posredstvom fotografija, arhivskog materijala i sačuvanih dokumenata, na borbe srpskog naroda u I svetskom ratu. Bitke na Ceru i Kolubari, povlačenje kroz Albaniju. Proboj Soluns...
On the occasion of the Battle of Cer anniversary, the first victory of the Allied army in World War I, on Vidovdan (Saint Vitus` Day) the 28th June 1928, the King Alexander unveiled the commemorative ...
CALVARY DIVISION IN THE 32ND SQUADRON UNDER LEADERSHIP OF HIS MAJESTY THE PRINCE ARSENIJE IN PRESEVO Several days after the final victory of Serbia over Bulgaria in the Second Balkan War, according to...
At the end of the World War I, considerably destroyed Austro-Hungarian regiment finds itself at the abandoned farmstead and its commander, the Colonel, tries in vain to make a connection with the high...
Aleksa Dundić, an officer of the Serbian volunteer corps in Russia during the Civil war, crossed over to the Red Army along with other four soldiers. Soon he distinguished himself with his valour and...
Film is created through a combination of rich archival material, photographs and documents about the struggle of the Serbian and other peoples of the former Yugoslavia to liberate unite into one state...
After the unexpected and great victory of the Serbian Army in the massive conflict in World War I, the battle of Cer at the end of August 1914, the preparation of the opposing armies HQs (the Serbian ...
BATTLE ON ZEDILOVO ON THE POSITION IN FRONT OF CUSTENDIL The Second Balkan War. One of the greatest victories of the Serbian army in the central front during the Battle of Bregalnica against Bulgarian...
Medium shot of nurses Tonička (actress: Truda Grosslichtová) and Mathilde (actress: Adina Mandlová) standing by a table in a room. Mathilde has a paletot over her shoulders and is staring fixedly s...
Medium close-up of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and the cadet Severa (actor: Stanislav Strnad), who is lying on a hospital bed.
Medium close-up of Nurse Tonička (Truda Grosslichtová) and Corporal Bartoněk (Jiří Vondrovič) standing in a corridor. They are smiling at one another and she is touching his bandaged hand.
Medium shot of an Austrian officer and Nurse Mathilde (actress: Adina Mandlová) looking at each other. The man is smoking a cigarette. Another soldier is visible behind them. In the left background i...
Several Austrian soldiers are moving about in front of a standing train. Several of the soldiers are carrying cargo. Other soldiers are looking out of the windows and open doors of the train.
Medium shot of Toman's wife Lída (actress: Marie Rosůlková), his son Vláďa (actor: Zdeněk Záhorský), and Dr, Šrámek (actor: František Smolík), who is shaking Vláďa's hand. Vláďa is wea...
Medium shot of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and nurse Mathilde (actress: Adina Mandlová).
Medium close-up of Rjepkin (actor: Vladimír Borský) sleeping on a bed and First Lieutenant Liška (actor: František Kreuzmann) in pyjamas leaning over him.
Oscar Geller, Detektiv-Filme, Der Kinematograph, 593, (1918), S. 21-25. Eröterung der Krimiwelle. Man könne Krimis nicht einfach als Schund abtun. Auch wenn viele der frühen Krimis, maßgeblich aus...
Argus, Der rasende Roland von Euskirchen, Der Kinematograph, 582, (1918), S. 6. Entgegnung auf Vorwürfe des Euskirchener Volksblattes, das Kino sei sittenverderbend. Der Schriftleiter Werner Rats kö...
Der Lustspielfilm, Der Kinematograph, 490, (1916), S. 17-18. Bericht über die große Zahl an Komödien, die in den letzten Monaten erschienen seien.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.
Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68
Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.
Kriegsanleihe-Filme, Der Kinematograph, 562, (1917), S. 28. Der Film "Der papierene Peter" wird als humorvoll und originell bewertet und werde seinem Zwecke gerecht.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.