A very broken film. A gunner with two horses out of control plunges past startled soldiers in a trench. Explosions in the distance. A view of no man's land. 18-pounder field guns are brought up past a...
The Prince of Wales leaves a house to enter a car. A steam pump in operation by a canal lock, probably the Yser Canal. Troops, possibly new arrivals, entering billets. A field kitchen. Soldiers diggin...
The Emperor stands with members of his court, including Prince Rainer, waiting outside one of his palaces. Coaches arrive and the party drives off. The coaches arrive at Bad-Ischl. The Emperor and the...
A coach takes Emperor Franz Josef, with Prince Eugen in a second coach, to the station along a route lined with cheering people. At the station they wait (Franz Josef is wearing his German field marsh...
Franz Josef emerges from a building to acknowledge the cheers of the crowd. He walks with members of the local rifle club. He listens to an address at the local military academy and receives a bouquet...
Empress Zita's carriage drives past the War Ministry towards Saint Mathias' Church, the magnates of Hungary dipping their banners in salute as it passes. Outside the church, as the ceremony goes on, t...
A training exercise on gently rolling slopes begins with 77mm field guns and trench mortars opening the bombardment, joined by light howitzers. An intercut scene of Austro-Hungarian troops walking dow...
Allied troops, mainly French, patrol the streets of the town. The house of Mathias Corvinus, the fifteenth century astrologer, is shown. People queue to vote in the plebiscite. The local paper gives t...
O. Verf.. "Filmempfehlungen der Lichtbilderei GmbH M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1917). Die genannten Filme (Quo Vadis, Die Jungfrau von Orle...
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...