The men, in uniform and not visibly injured, come down the steps of the cathedral after visiting the tomb. The inside of the cathedral and the tomb itself are not shown.The crowd gathers round O'Leary...
A bard declaims, surrounded by the crowd in the castle ruins. The Gorsedd procession leads off, with a number of soldiers marching before the bards. Lloyd George arrives by car to the cheers of the cr...
Kaiser Wilhelm waits, wearing his Austrian field marshal's uniform, with his officers in the snow. Jump cut to Wilhelm greeting Karl beside his train just after his arrival. The two emperors arrive by...
Horses, along with their Austro-Hungarian handlers (mildly camera-conscious) rest beside a monastery which shows some shell damage. Other partly-destroyed buildings, including a village square and chu...
The balloon section lorries arrive at an area of flat ground and the men start to inflate the balloon. The inflated balloon stands ready to ascend. Horses, towing a car out of a patch of soft ground, ...
A captain demonstrates how the rifle grenade, which requires no cup, fits into the rifle. His men, using a trench periscope, fire the grenades from a trench. All are in shirtsleeves.
Newsreel ite...
Moroccan lancers and foot soldiers parade in the courtyard of a mud-walled fort, then march out into the desert for the coast.The young soldiers, and French Boy Scouts, march in salute past the statue...
A group of ostriches assembles with their trainers at a racetrack. One of the birds is fitted with a trotting harness, and then races "one mile in 2 minutes 10 seconds". It is taken out of the harness...
Oscar Geller, Detektiv-Filme, Der Kinematograph, 593, (1918), S. 21-25. Eröterung der Krimiwelle. Man könne Krimis nicht einfach als Schund abtun. Auch wenn viele der frühen Krimis, maßgeblich aus...
Argus, Der rasende Roland von Euskirchen, Der Kinematograph, 582, (1918), S. 6. Entgegnung auf Vorwürfe des Euskirchener Volksblattes, das Kino sei sittenverderbend. Der Schriftleiter Werner Rats kö...
Der Lustspielfilm, Der Kinematograph, 490, (1916), S. 17-18. Bericht über die große Zahl an Komödien, die in den letzten Monaten erschienen seien.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.
Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68
Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.
Kriegsanleihe-Filme, Der Kinematograph, 562, (1917), S. 28. Der Film "Der papierene Peter" wird als humorvoll und originell bewertet und werde seinem Zwecke gerecht.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.